OnCopyright2012: Advancing the Creative Economy — I’ll be in NYC today at the Kernochan Center for Law, Media, and the Arts for its bi-annual event, OnCopyright2012. According to the site, “the event will explore the various ways copyright issues are impacting publishing, creative services, legal and technology”, and it features an impressive list of participants. Check out the site for live streaming of the event, and, if you’re on Twitter, follow the event with #oncopyright.
Lets play a word game — Dominic Young looks at the parallels between copyright and privacy. “Those who create and share should be able to expect a reward just as those who seek to protect their privacy expect to be able to prevent it being invaded.”
Persons of Pinterest — Last week’s episode of This Week in Law has a good discussion on the copyright and other legal issues surrounding social media darling Pinterest. Guests include Carolyn Wright and Connie Mableson.
Copyright Alert System Revisited — Though the voluntary agreement between ISPs and major content companies to address online infringement was announced last July, it was only in the past couple of weeks that plans to implement the system were announced — sparking a fresh round of “SOPA” cries. But even the Future of Music Coalition reiterates: “ this is not a dangerous or draconian policy.”
Amazon Recommends $17 Book Of Wikipedia Articles To ‘Hunger Games’ Fans — “The largest library in disorder is not so useful as a smaller but orderly one.”1
Mythbusters: ACTA — The Anti-Counterfeiting Trade Agreement, signed by the US last October, has been in the news lately. The Copyright Alliance’s Sandra Aistars dispels some of the misinformation that has been floating around stories about ACTA.
Osborne+ and Schmidt+ say ‘the internet’ = 8.3 per cent of UK GDP — Dubious statistics. Close alignment between companies and politicians. Just another day for Google.
Canard du Jour: Reselling the remix — “On the one hand The Man 2.0 wants to say that the “sharing economy” is a noncommercial use of any copyrights that happen to find their way into the ‘sharing economy’ … On the other hand, The Man 2.0 wants to extract commercial rents from those user created works … The user gets nothing, an underlying copyright creator gets nothing, and the ‘commercial entity’ gets all the commercial value it can extract.”
Program Your 808 — Just for fun: “A series of informative posters detailing how some of the most notable drum sequences were programmed using the Roland TR-808 Drum Machine.” Geeky and gorgeous. (via Create Digital Music)