The Constitutional Foundations of Intellectual Property Law — Randolph May and Seth Cooper of the Free State Foundation look at some of the philosophical underpinnings that drove the inclusion of copyright and patent protection into the United States Constitution. According to May and Cooper, the origin of the right is explicitly Lockean, while the protection of the right is explicitly Madisonian. An engaging and enlightening read.

Where to Watch — A new site that lists authorized online services where you can watch movies and television.

America’s New Oligarchs—Fwd.us and Silicon Valley’s Shady 1 Percenter — Joel Kotkin of the Daily Beast pens a devastating critique of the new tech giants and the economic and cultural effects they are inflicting, yet at the same time enjoying immense popularity among the public. A must read, with Kotkin concluding that ”today’s new autocrats seek not only market control but the right to sell access to our most private details, and employ that technology to elect candidates who will do their bidding. Their claque in the media may allow them to market their ascendency as “progressive” and even liberating, but the new world being ushered into existence by the new oligarchs promises to be neither of those things.”

Watch Paul Williams Open up about Working with Daft Punk — Songwriter, and ASCAP CEO, Paul Williams is always fascinating to watch, especially when he is talking about the craft of writing songs. Here he discusses his collaboration with Daft Punk on the song Touch off their new album Random Access Memories.

Petition of the Day: Intercollegiate Broadcasting System v. Copyright Royalty Board — SCOTUSBlog this week named the appeal in Intercollegiate Broadcasting System as its petition of the day. As you may remember, Intercollegiate appealed a ratesetting determination to federal court a while back, adding a claim that the Copyright Royalty Judges were unconstitutionally appointed. Last year, the DC Circuit held that they were, but remedied this defect by nullifying the limitations on the Librarian of Congress’s removal authority for Royalty Judges. Intercollegiate has appealed, arguing that this remedy was insufficient to cure the constitutional defect.

When Freedom of Expression and Copyright Meet — The Afro-IP blog takes a closer look at a report called The Right to Share, released a month ago by an organization called Article 19. In it, the organization purports to examine the interaction between copyright law and freedom of expression, though the Afro-IP author “found some of it a bit hard to swallow.” She looks in more detail at particular areas of the report, noting especially that it heavily relies on US and UK based law and principles, to the detriment of more Continental and African based views.

The Dollars and Sense of Intellectual Property — Adam Mossoff has a much better review than the one I wrote earlier this week about Laws of Creation: Property Rights in the World of Ideas.

How Chairman Goodlatte Could Stop the Ennui of Learned Helplessness — Yesterday, of course, was the first in a series of comprehensive hearings on copyright law, which I’ll be writing about sometime next week here. But until then, Chris Castle shares his thoughts on how one of the ideas bandied about, a copyright small claims court, may be useful in helping small and independent creators by making the DMCA takedown procedure more effective in accomplishing its original goal of minimizing the harm of online piracy.

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Rhapsody adds liner notes, but how detailed is the information it holds? — As Helienne Lindvall points out, this is a welcome announcement, as the scores of individuals who lend their talents to the production of recorded music deserve recognition. The problem? Rhapsody will likely need to add this information itself, as it is not readily available.

New ways to support great content on YouTube — The long-awaited announcement from YouTube about paid subscription channels. “Starting today, we’re launching a pilot program for a small group of partners that will offer paid channels on YouTube with subscription fees starting at $0.99 per month. Every channel has a 14-day free trial, and many offer discounted yearly rates. For example, Sesame Street will be offering full episodes on their paid channel when it launches. And UFC fans can see classic fights, like a full version of their first event from UFC’s new channel.”

Permission, Privacy and Piracy: Where Creators and Consumers Meet — The Trichordist examines the intersection between privacy and piracy: “How are privacy and piracy related? It’s simple, both privacy and piracy revolve around how we view the importance of the individuals right to grant consent. An individual should have the right to grant the specific permissions to access information about us and how that information can be used.”

Kim Dotcom’s Truth = Nothing but Lies — Indie filmmaker Ellen Seidler takes on Kim Dotcom and his recent “white paper” defending Megaupload. Says Seidler, “Kim Dotcom is not Robin Hood and he’s not a hero. He’s a (wealthy) thief who, thanks to technical know-how and a black market business acumen, was able to exploit the work of content creators across the globe for his own, personal gain. Dotcom’s lies cloaked as ‘truth’ may gain him sympathy from his acolytes, but it won’t change the fact that stealing from others isn’t sharing, it’s theft.”

Why is Video Piracy Still Called A “Censorship” Problem? — “When we talk about video piracy, we’re talking about accessing someone’s creative property for free. It is true that you cannot copyright ideas but once those ideas are set down and given life as a recording, book, film, etc. they become the creator’s intellectual property. One may have issues with how long the protection should last, but that protection serves several important purposes: 1) It compensates the content providers and enables them to make a living; 2) It encourages people to continue producing content in hopes that they will be able to make a living.”

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Giving a Wide Berth to Artists of Cable TV — David Carr takes a look at Difficult Men: Behind the Scenes of a Creative Revolution a new book by Brett Martin coming out in July. The book details the recent shift in television storytelling toward darker and highly creative dramas, embodied by such shows as the Sopranos, Mad Men, and Breaking Bad. It is an innovation driven not by algorithms and data centers, but by “men who typed for a living.”

MusicTank to focus on piracy site advertisers — Later this month, rock star David Lowery and Google’s UK Policy Manager Theo Bertram will discuss ad-sponsored piracy at a MusicTank Think Tank event in London. Should be very interesting.

Dear Congress: Please Consider These Points for Your Massive Copyright Overhaul… — Paul Resnikoff of Digital Music News presents what he considers are important points worthy of Congress’s attention. Though I may not necessarily agree with all of them, it is certainly a thoughtful and thought-provoking set of points.

Nigeria: Create Sound IP Policies in Nigeria, Microsoft Tells Govt — The software company chaired a discussion in Lagos last week as part of World IP Day. The article notes this remark from popular Nigerian artist Lanre Dabiri on one of the panels: “Piracy suppresses innovation! A lot goes into nurturing an idea or product to fruition. When this idea gets stolen, it means you cannot recoup the resources that went into putting your thoughts together and this is unfair to the artist or property owner.”

Second Circuit Rules Most Appropriation Art is Fair Use: Cariou v. Prince — Paul Fakler of Title 17 has a great write up on the recent appropriation art decision from the Second Circuit. Fakler does an especially good job pointing out some of the procedural corners cut by the court, a point that is concerning regardless of how you feel about the court’s ultimate outcome on the legal issues.

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House Judiciary Chairman to launch sweeping review of US copyright law — Topping the US copyright news this week was Rep. Goodlatte’s announcement that his Committee will be conducting a series of comprehensive hearings over the next several months with the aim of taking a thorough look at the current state of copyright law. Hilicon Valley reports, with statements from several copyright-related organizations responding to Goodlatte’s announcement.

Why Aereo encourages the wrong kind of innovation — Peter Leung discusses the Aereo decision, with a brief look at cases from Australia, Japan, and South Korea which held that similar services infringed on copyright protections. But the heart of Leung’s argument is that a win for Aereo is a loss for everyone else. “Although IP law is generally supposed to promote innovation, it is strange to think that Aereo’s business plan largely involves creatively engineering its way around the law rather than solving an actual technical problem. Other than Aereo, the clear winners in this are manufacturers of server hard drives and tiny antenna arrays.”

Embedding is no criminal offence, the Brussels Court of Appeal says — A court in Belgium ruled that embedding an infringing YouTube video does not rise to the level of a criminal offense under that country’s laws. Unlike civil liability, criminal liability requires the additional element of malicious or fraudulent intent. Here, the court found that lacking, in part because YouTube’s terms of service prohibit the uploading of infringing content, so it cannot be presumed that the defendant was aware the video was infringing.

Churnalism: Where is Your Journalism Coming From? — A new tool from the Sunlight Foundation allows you to check online news sites and articles to see if passages from Wikipedia or press releases show up without attribution. An interesting tool. Plagiarism Today’s Jonathan Bailey points out, “The big idea behind both versions of Churnalism is not so much to detect all kinds of plagiarism or spot instances of copyright infringement. Rather, the goal is to find instances where journalists recycle content from sources that readers might not deem trustworthy or, in other cases, may take quotes out of context.”

MPAA Supports Meaningful Treaty for Visually Impaired — Chris Dodd of the MPAA writes, “We believe that access for the blind to books and other publications is a cause worth promoting. We also believe in the fundamental principles of copyright that empower creators and encourage creativity around the world. Unlike those who seek to weaken copyright protection, we believe these two objectives are not mutually exclusive.”

What Hunter S. Thompson Really Said About the Music Industry… — Paul Resnikoff digs up an interesting tidbit showing that the oft-quoted line attributed to Thompson is not entirely accurate.

Facebook Home Propaganda Makes Selfishness Contagious — Not copyright related per se, but the ethics observed in the article are shared by some who argue against effective copyright protection. The author writes, “This isn’t intended to be a “get off my lawn!” argument, though it is indeed old-fashioned to believe everyone deserves respect. Back in the 1700’s, German philosopher Immanuel Kant made a big deal out of these ideals, asking what right we have to be self-absorbed while expecting others to rise above indifference. My argument is that some convictions deserve to be innovation proof.”

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Time to Think About ‘The Next Great Copyright Act’ in the US? — Emmanuel Legrand takes a thorough look at US Register of Copyrights Maria Pallante’s recent call for broad copyright revision. “She admitted in her statement that the list of issues she wanted to tackle ‘is long’: ‘clarifying the scope of exclusive rights, revising exceptions and limitations for libraries and archives, addressing orphan works, accommodating persons who have print disabilities, providing guidance to educational institutions, exempting incidental copies in appropriate instances, updating enforcement provisions, providing guidance on statutory damages, reviewing the efficacy of the DMCA, assisting with small copyright claims, reforming the music marketplace, updating the framework for cable and satellite transmissions, encouraging new licensing regimes, and improving the systems of copyright registration and recordation.’”

Creators need copyright protection — Speaking of copyright revision, Neil Portnow, president and CEO of the Recording Academy, discusses three principles that should be central to any discussion of such an effort. “The more art is created, the more businesses that rely on content will succeed. It’s not content versus innovation — content drives innovation.”

“It Is What It Is” // an interview with Sound Fix owner James Bradley; store to close after nine years this saturday (Record Store Day)Freeloading author Chris Ruen interviews the proprietor of an indie record store that has finally decided to close shop. “…we created this atmosphere that people warmed up to. The idea of a place where you can soak up the whole experience, where music was performed and sold and embraced and artists came there.”

Not all change is innovation — “Advertising, which yields about 90% of Google’s extraordinary wealth, has no independent, intrinsic value; it must be pegged to products and services that do have intrinsic value in the consumer market. We literally cannot all be in sales and marketing; some of us have to make things. Hence, any business practice that dilutes intrinsic value for the sake of advertising value is not only not innovative, but is a form of cannibal economics over the long term.”

How YouTube “Monetizes” Your Songs to Sell Illegal Goods — “They can pay $500,000,000 in punishment to the government, but they can’t quite manage to find a way to tell advertisers or songwriters that their songs or ads are being used to push drugs to YouTube’s young audience.”

If Only the Tech Industry Understood the Music Industry They Want to ‘Replace’… — Says Helienne Lindvall: “Copyright without control, without the ability to say no, creates a race to the bottom as far as being able to monetise “content” – it lines the pockets of the distributors (YouTube, The Pirate Bay et. al.) but not those who created it.”

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The Purpose of Copyright? Examining the Retracted Republican Study Committee Brief — From the Bolt, an online offshoot of the Berkeley Technology Law Journal, comes a look at Derek Khanna’s infamous copyright memo, and my response to it here last November.

Fair Use is Fair Game: MPAA Files Amicus Brief in NFL Intellectual Property Case — Earlier this week, the MPAA filed a brief in support of a filmmaker’s fair use of a Baltimore Ravens logo appearing on screen. That the MPAA would defend fair use in court surprised only those who have become convinced of their own caricature of the organization as being “copyright maximalists.”

MPAA and Fair Use: A Quick History — Ben Sheffner at the MPAA responds to “the suggestion in some of the commentary about our brief that the MPAA and its members somehow “oppose” fair use, or that our embrace of it in the Baltimore Ravens brief represents a  shift in our position. That’s simply false, a notion that doesn’t survive even a casual encounter with the facts. Our members rely on the fair use doctrine every day when producing their movies and television shows – especially those that involve parody and news and documentary programs. And it’s routine for our members to raise fair use – successfully – in court.”

WNET v. Aereo: Split Appellate Panel Rules That “Remote-Storage DVR” Decision Insulates Provider of Internet Streaming from Liability — Eleanor Lackman examines the recent Second Circuit decision involving internet TV rebroadcaster Aereo. Great analysis and timely, as a similar case with a different outcome (Aereokiller) is set to appear in front of the Ninth Circuit.

Mossoff on Copyright & Innovation in Scholarly Publishing — The Legal Theory Blog highlights Adam Mossoff’s latest, must-read article that details the investment and innovation that scholarly publishers provide to help disseminate academic works.

Jurassic Park is Frightening in the Dark — The best dinosaur movie ever is celebrating its 20th anniversary with a theatrical release in 3D. While the film incorporated stunning advances in computer generated imagery, it also featured equally groundbreaking “real-life” props by Stan Winston Studios. Here is a collection of videos showing a behind the scenes look at how some of these props were built.

Google’s Design Defect of Moral Hazard — “Just like the iconic exploding gas tank, it is clear that Google’s current product creates an unsafe environment for consumers.  From illegal drugs, to human trafficking to copyright infringement, Google is the leading source of criminals making their wares available to unsuspecting consumers. Not only does Google’s advertising of legitimate brands on illegal sites create the veneer of respectability, Google holds itself out to the public as a reliable source of information.”

 — Copyright infringement? Or just an incredibly inefficient way to print articles from the web?

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Pick a side BUT don’t call it piracy… — There has been a lot of discussion swirling over the “artists vs. artists” billboard in Times Square this week. Ellen Seidler pins down one of the biggest problems with the promotion. “When artists choose to give their work away, they’re not choosing to support piracy, they’re choosing to offer their creations to the public at no cost.  It’s a distribution decision any artist is free to make, but please don’t call it piracy…”

Associated Press v. Meltwater: Associated Press Scores Significant Copyright Victory — Simon Pulman of Cowan DeBaets Abrahams & Sheppard does a great job analyzing last weeks Meltwater decision upholding the importance of journalism to a free society and the need for commercial services copying significant portions of news articles to seek proper licenses.

Google’s Bonfire of the Vanities: The Human Drones of Google Glass Coming to a Venue Near You — “It appears that Google has finally developed the means to monetize human conversation.” See also “Stop the Cyborgs” launches public campaign against Google Glass.

Copyright Hub gets £150,000 Government funding — 1709 Blog reports on this week’s announcement of the UK government’s funding of a one-stop online shop for licensing copyrighted works.

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A lot of copyright news this week!

Supreme Court reverses in Kirtsaeng — First up, the Supreme Court released its decision in Kirtsaeng on Tuesday.

Copyright Act in the Digital Age — Next, the Register of Copyrights went to Congress to propose a general revision of the Copyright Act. Rob Levine wrote a fantastic preview of her testimony.

Worth the Wait: 9th Circuit Delivers Big Win for Creators in Isohunt Case — Then on Thursday, the 9th Circuit released its opinion in a case that seemed almost forgotten (Isohunt was argued nearly 2 years ago). The Copyright Alliance’s Alexandra Goldstein summarizes the decision, which seems to provide strong support for the common sense notion that those who intentionally profit off infringement don’t get a free pass just because they operate online instead of offline.

Meltwater loses again: the black knight rises — Finally, a NY district court ruled against a digital news clipper on copyright infringement. This is a fascinating case involving fair use and other issues in an online context. Dominic Young provides a good summary of the opinion here, but I may dig into the decision more in a stand alone post next week.

In other news…

Protect rights of artists in new copyright law — This week’s must-read is Sandra Aistar’s op-ed regarding the push for a general copyright revision. “Ensuring that all creators retain the freedom of choice in determining how their creative work is used, disseminated and monetized is vital to protecting freedom of expression.  Consent is at the heart of freedom, thus we must judge any proposed update by whether it prioritizes artists’ rights to have meaningful control over their creative work and livelihood.”

Mirror, Mirror…Why Does the Anti-Copyright Lobby Live in Opposite World? — Ellen Seidler provides some cutting insights. “The talking points echoed by the panel at SXSW reflected the anti-copyright lobby’s disingenuous mantra that content creators seeking to protect their work from theft should be viewed as criminals, while those who brazenly steal (and monetize) the work of others are somehow the ‘innovators.’”

A Step Closer to an Internet that Values Freedom of Expression, Freedom of Information, and the Freedom to Protect the Things We Create and Own — Chris Marcich of the MPAA comments on the recent European Court of Human Rights decision in the Pirate Bay case. “The Internet is a central part of our lives.  Citizens across the world, particularly young people, care about it passionately.  So do we.  We just want to ensure the Internet works for everyone.  We want an Internet where the creative property of artists and creators is protected along with the privacy and security of all users.  An Internet where the values society holds dear in the offline world, shape how we interact online.  And yes, these include freedom of expression, freedom of information and the freedom to protect the things we create and own.”

IFPI slams EU piracy study as ‘flawed and misleading’ — Recently, the EU released a study on piracy’s effects on digital music sales. The study’s conclusions were misreported the study itself suffers some serious flaws.

SXSW: David Lowery and Co. Lash out Against Industry ‘Pimps’ — Last week was the music portion of SXSW. Billboard takes a look at what may have been one of the best panels: David Lowery, Daryl Friedman, East Bay Ray, and Nakia discussing “Who’s Ripping Me Off Now?”

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Explanation of Megaupload Study (or: Econometrics 101) — Brett Danaher, who, along with Michael D. Smith, co-authored the recent study showing the shut down of Megaupload caused a 6-10% rise in digital film sales, explains the study’s methodology in plain English. A thoroughly useful article that should be pointed to by those who criticize the work (apparently without reading the study). As Danaher notes, “The most common critique in comments on blogs and news articles is that ‘sales were increasing anyway because of (digital growth) (new digital channels) (blockbusters released in January) (insert your favorite reason you think sales would have grown here).’ I suppose people think that as economists we would not have thought of this.”

Unlocking Cell Phones Shouldn’t Dismantle Copyright Laws — I have an article over at IP Watchdog this week about recent developments regarding the petition to reverse the decision not to grant a DMCA exemption for unlocking cell phones. Proponents behind the petition are set to get exactly what they asked for but are now complaining that it’s not enough.

Meet the men who spy on women through their webcams — One of the creepiest articles I’ve read in recent memory. Made worse by the fact (not noted in this article until the last page) that the same technology has begun to be used by repressive governments to spy on dissidents.

Derek Khanna & Co. Continue Attack on Artists Rights at SXSWi Panel — The Trichordist reports on another unbalanced panel about copyright, this one at SXSW. Panelists, including Cheezburger CEO Ben Huh, were advocating “permissionless innovation” — that weird new tech buzzword that ignores the fact that things like “permission” and “consent” and “agreement” are at the foundation of any free society. But the ultimate irony, as Tricordist points out, is that for many features of the Cheezburger network of sites, like its API, one can use them only after getting, well, permission.

Word ‘Innovate’ Said 650,000 Times At SXSW So Far — Speaking of SXSW and buzzwords, the Onion nails it.

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