The Story “Transcendence” Didn’t Tell — Another great piece from David Newhoff. “I defend copyrights for the same reason I’m uncomfortable with drone warfare and don’t want to see autonomous weapons, even if they might make my own kid’s future job in the Navy less hazardous. Copyrights, I believe, are merely one way in which we affirm that humans maintain dominion over their technology. When we reduce our intimate thoughts, ideas, and creative expressions to the banality of data, we take a step closer toward abdicating that authority.”

Comparative Study Of National Approaches To Internet Intermediary Liability — IP Watch discusses findings of a recent paper, presented at an April 30 side event to the WIPO Standing Committee on Copyright and Related Rights which examined how 30 different jurisdictions handle the liability of internet intermediaries for infringement occurring on their systems.

Making Amends: China Music Copyright Law Primer — Professor Eric Priest provides an excellent intro to copyright law and policy in China.

Fearing Google — Bruce Schneier points to Mathias Döpfner’s open letter to Google and collects several reactions about concerns over the internet giant’s growing dominance.

Ti West On Why Piracy Hurts Indie Film (and It’s Not All About The Money) — “The independent film world is a fragile ecosystem. It allows for unique experiences and challenging stories to be told by bold filmmakers in adventurous and often unproven ways. Studio films do not take the same risks. But this adventurousness, this ability to surprise us, is why we love indie movies. By supporting this ecosystem, we are supporting the possibility of original, rewarding experiences that would otherwise go unnoticed.”

More Ad Dollars Flow to Pirated Video — The Wall Street Journal reports, “Sites brimming with pirated movies and television shows are being supported, inadvertently, by major marketers that buy ad space on them. Thanks to the rise of automated ad-buying technologies, more ad dollars are flowing to sites with stolen copyrighted content than ever before, ad executives say. Who should do the policing is a matter of debate in the industry.”

Dropbox disables old shared links after tax returns end up on Google — There are many reasons why one needs to be careful about what one is making available online as more and more of our dealings shift toward the cloud, as this story demonstrates. “IntraLinks said that ‘During a routine analysis of Google AdWords and Google Analytics data mentioning competitors’ names (Dropbox and Box), we inadvertently discovered the fully clickable URLs necessary to access these documents that led us to live folder contents, some with sensitive data. Through these links, we gained access to confidential files including tax returns, bank records, mortgage applications, blueprints and business plans—all highly sensitive information, some perhaps sufficient for identity theft and other crimes.’”

Tom W. Bell, a professor at Chapman University’s Fowler School of Law and an adjunct fellow of the Cato Institute, has a new book out from the Mercatus Center, Intellectual Privilege: Copyright, Common Law, and the Common Good. As its title suggests, Bell argues in favor of viewing copyright as a privilege rather than as property or as a right. At the same time, Bell argues that copyright has diverged from what the Constitutional Framers intended and should be reconfigured to address this divergence.

How accurate is this framing? One particularly compelling piece of evidence comes prior to the drafting and ratification of the Constitution, which created a federal legislature with the power, among others, to “promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” The Continental Congress appointed a committee “to consider the most proper means of cherishing genius and useful arts through the United States by securing to authors or publishers of new books their property in such works” on March 10th, 1783. This committee consisted of North Carolina representative Hugh Williamson, South Carolina representative Ralph Izard, and Viriginia representative James Madison, who would be the primary architect of the Constitution’s Copyright Clause.

Motion of Hugh Williamson

On May 2, the men presented the following to the Congress:

The committee, consisting of Mr. Williamson, Mr. Izard and Mr. Madison, to whom were referred sundry papers and memorials from different persons on the subject of literary property, being persuaded that nothing is more properly a man’s own than the fruit of his study, and that the protection and security of literary property would greatly tend to encourage genius, to promote useful discoveries and to the general extension of arts and commerce, beg leave to submit the following report:

Resolved, That it be recommended to the several states, to secure to the authors or publishers of any new books not hitherto printed, being citizens of the United States, and to their heir or assigns executors, administrators and assigns, the copyright of such books for a certain time, not less than fourteen years from the first publication; and to secure to the said authors, if they shall survive the term first mentioned, and to their heirs or assigns executors, administrators and assigns, the copyright of such books for another term of time not less than fourteen years, such copy or exclusive right of printing, publishing and vending the same, to be secured to the original authors, or publishers, or their assigns their executors, administrators and assigns, by such laws and under restrictions as to the several states may seem proper.

If you take a look at the original report, you’ll notice something interesting. The committee had originally referred, in the last sentence, to the exclusive privilege of printing, but crossed out privilege and substituted right.

Report

It’s a fascinating historical tidbit, and one that suggests the case that the Framers considered copyright to be some sort of government privilege is not as strong as Bell claims.

The Internet and IP Rights: Friends or Foes? — Check out this video of law prof Adam Mossoff at the Hudson Institute this week discussing the intersection between the internet and intellectual property rights like copyright, patent, and trademark.

Aereo at the Supreme Court: Ruling for Broadcasters Won’t Harm Cloud Computing — “Delivering on-demand streaming of copyrighted programming for a fee is the quintessential public performance. The fact that Aereo streams broadcasters’ content over the Internet after pulling it down through thousands of small antennas that make thousands of user-specific copies is irrelevant. Aereo’s retransmission of this content is what matters. Indeed, that is what Aereo does.”

Aereo impacts all creators, not just broadcasters — Speaking of Aereo, over at the Copyright Alliance site, I expand upon a point I made during a panel on Aereo at last week’s Fordham IP Conference. That is, while there are many side issues in the case, the one the Supreme Court is tasked with resolving has to do with the public performance right, which affects all copyright owners. That fact has gone largely ignored.

WIPO issues study on voluntary copyright relinquishment and open licensing — The report looks at the ability of creators to dedicate their work to the public domain in nine different jurisdictions around the world.

Why I Teach Plato to Plumbers — “Why shouldn’t educational institutions predominately offer classes like Business Calculus and Algebra for Nurses? Why should anyone but hobbyists and the occasional specialist take courses in astronomy, human evolution, or economic history? So, what good, if any, is the study of the liberal arts, particularly subjects like philosophy? Why, in short, should plumbers study Plato?”

ABC v. Aereo: the Supreme Court will reverse the Second Circuit — Hugh Hansen predicts a win for creators in Aereo. If you’re at the Fordham IP Conference today, I’ll be on a panel discussing Aereo this afternoon.

The Supreme Court On Aereo And The Future Of TV — NPR does a segment on Aereo featuring Eleanor Lackman and Michael Carrier, worth a listen!

A Supreme Court ruling against Aereo won’t spell the end of cloud computing — One more item on Aereo, this one from Geoffrey Manne, Ryan Radia & Ben Sperry. “Aereo’s argument ignores Congress’ decision in the Copyright Act of 1976 to expressly define the transmission of a television broadcast ‘by means of any device or process’ to the public as a public performance, ‘whether the members of the public capable of receiving the performance … receive it in the same place or in separate places and at the same time or at different times.’ Aereo has built an elaborate system for distributing live high-def broadcast television content to subscribers for a monthly fee—without obtaining permission from, or paying royalties to, the copyright owners in the audiovisual works aired by broadcasters.”

The Gigaom interview: Thievery Corporation’s Rob Garza on how “we live in a streaming world” — “Yeah. It’s tough too, because these are your friends. You’re coming up to them, and they’re, ‘What did we earn this last six months?’ Here’s the $100. Here’s the numbers to show it. You do that enough times and you’re like, ‘I don’t really want to be in this part of the business, because it’s kind of depressing.’”

The Bay is burning! Google Glass, techno-rage and the battle for San Francisco’s soul — “Yes, the Luddite movement may have been smashed by the forces of the state and the newly ascendant industrialist bourgeoisie. Yes, the Luddites may never have had the remotest chance of maintaining their pre-industrial way of life in the face of the steam engine. But there is a version of history in which the Luddites were far from unthinking goons. Instead, they were acute critics of their changing times, grasping the first glimpse of the increasingly potent ways in which capital was learning to exploit labor.”

Cross-posted on the Law Theories blog.

The cloud took center stage at the oral argument in the Aereo appeal before the Supreme Court this past Tuesday. Several justices expressed concern over how Aereo’s service can be distinguished from a cloud storage service. As they had argued in their reply brief, the petitioners, represented by Paul D. Clement, note that there’s a difference between a service that allows its users to store and access the content they already possess and a service that supplies the content to its users in the first instance. Clement argues that this distinction flows from the “to the public” language of the Transmit Clause:

Here, I think the ultimate statutory text that allows you to differentiate a cloud locker storage from something like what Aereo does is a language to the public. And I do think that in all sorts of places, including the real world, there’s a fundamental difference between a service that allows – that provides new content to all sorts of end-users, essentially any paying stranger, and a service that provides a locker, a storage service.

And I think if you want a real world analogy off of the Internet, I think it’s the basic decision – the difference between a car dealer and a valet parking service. I mean, if you look at it from 30,000 feet, you might think, hey, both of these things provide cars to the public. But if you looked at it more closely, you’d understand, well, if I show up at the car dealership without a car, I’m going to be able to get a car. If I show up at the valet parking service and I don’t own a car, it’s not going to end well for me. . . .

I think there is a very real way in which you would say, you know, at the end of the day, the car dealer’s providing cars to the public, the valet parking service is not. It’s providing a parking service.

Clement’s “real world analogy” looks at the difference between a car dealer and a valet service. He argues that Aereo is like a car dealer because people go there to obtain a car in the first instance. It’s not like a valet service, where you can only get back the car you dropped off. What makes Aereo different than a cloud storage service like Dropbox is that Aereo supplies the content to its users in the first instance. You don’t go to Aereo to park the car you already own; you go to Aereo to buy the car.

Clement argues that whether a transmission is “to the public” turns on who supplies the content:

If all they can do is, just like the valet car parking service, is get back what they put up there, I think you could easily say that that is not to the public. And that is not just me coming up with a clever distinction. That’s the distinction that’s really been drawn in the real world, because not all cloud computing is created equal, and there are some cloud computing services that use cloud computing technology to get new content to people that don’t have it, and they get licenses. And there is other cloud computing that just has locker services and they don’t think they need a license . . . .

This tracks my own argument, and I think it’s a reasonable line to draw—one that has indeed “really been drawn in the real world.” As I mentioned in my last post, the norm is that a service that supplies the content to members of the public in the first instance—whether by public distribution as with iTunes, by public performance as with Spotify, or by public display as with Westlaw—obtains a license to supply this content. The reason the service needs this license is because the content it supplies is being transferred “to the public” in the first instance, thus making it the quintessential public distribution, performance, or display.

These three exclusive rights (public distribution, performance, and display) are all related in that they make directly liable anyone who supplies the content “to the public” in the first instance. All three rights involve transferring the content from the transferor to the transferee where the relationship between the two is a public one. At the end of the transfer, the transferee obtains the content in the first instance, that is, the content in which the transferee has no prior possessory interest. Without a license (or some other defense), the transferor has violated one or more of the copyright owner’s three exclusive rights to supply the content “to the public” in the first instance.

And this is the difference Clement is talking about. A cloud storage service does not supply the content “to the public” in the first instance. Members of the public use a cloud storage service to store and access the content they already have a possessory interest in. It’s the difference between a library, which publicly distributes a book that it lends out, and a safety deposit box, where I can store a book that I already possess for safekeeping. If I later go to the bank to retrieve the book from my safety deposit box, the bank is not publicly distributing the book. The bank instead is my bailee, and I am merely retrieving my property as a bailor. The relationship, in other words, is one of bailment.

This same distinction based on who supplies the content was invoked by Deputy Solicitor General Malcolm L. Stewart, arguing on the government’s behalf as an amicus curiae in support of the petitioners:

The second thing that I would like to reinforce in Mr. Clement’s presentation is that there is no reason that a decision in this case should imperil cloud locker services generally . . . .

[T]here are obviously services that provide television programming over the Internet. Some of them are licensed because they recognize that they are publicly performing. If a particular company, for instance, recorded television programs and offered to stream them to anyone who paid the fee or offered to stream them for free and make its money off advertising, that would be a public performance because those companies would be providing content to people who didn’t have it.

I think the basic distinction, the one that at least defines the extremes, is the distinction between the company, whether it be Internet-based or a cable transmitter, that provides content in the first instance and the company that provides consumers with access to content that they already have. If you have a cloud locker service, somebody has bought a digital copy of a song or a movie from some other source, stores it in a locker and asks that it be streamed back, the cloud locker and storage service is not providing the content. It’s providing a mechanism for watching it.

Like the petitioners, the government argues that there’s a simple dichotomy between a service that supplies the content to members of the public in the first instance and one that does not. When the service itself supplies the content that its users can stream over the internet, it’s publicly performing. And when the service merely enables users to stream the content that they already possess, it’s not publicly performing. That’s how you can tell the difference between the two.

Not surprisingly, David C. Frederick, representing Aereo, thinks this simple dichotomy just doesn’t work. Justice Kagan asked Frederick why he thinks liability does not turn on who supplies the content:

Mr. Frederick, why isn’t it sufficient to create a line such as the one Mr. Clement said, which said, you know, do you on the one hand supply or provide the content, that puts you in one box; on the other hand, if you are not supplying or providing the content, if the user is supplying and providing the content, and you are just providing the space, a kind of platform for them to do that and for them potentially to share the content, that puts you in another box?

To which Frederick replied:

Well, Justice Kagan, I note that my friend did not reference the words of the Transmit Clause at all when he offered that distinction. And that’s actually quite important, because in order to get there, you have to make up words to put them in the Transmit Clause. But even if you were to think that that was good for a policy reason, you would still have to explain why the hundreds of thousands of people that are subscribers to Aereo’s service don’t have exactly the same fair use right to get over-the-air broadcast content that all of those people who are not Aereo subscribers but they happen to have a home antenna and a DVR. Those people have every bit as right to get that access. And the fact that they are doing it doesn’t make their antenna or their antenna provider a content provider.

As to his first claim, namely, that Clement “did not reference the words of the Transmit Clause,” I don’t think this is true. As noted above, Clement explicitly said his argument flowed from the “to the public” language in the Transmit Clause. What makes it “to the public” is the fact that the content is being supplied in the first instance to members of the public. I would add that this is the same rule that applies whether discussing the public distribution, performance, or display right. We’re interested in whether the transferor has supplied the transferee, a member of the public, with the content in the first instance. That’s what makes it “to the public.”

As to his second argument, I have to first point out that I don’t think there’s any such thing as a “fair use right.” As I explained in a prior post, fair use is a privilege, not a right. There is no affirmative right to make a copy. The only right is the copyright owner’s exclusive right to exclude others from making a copy. Regardless, the question isn’t whether a home user can set up an antenna and DVR to time-shift over-the-air broadcasts. That’s the reproduction right, which does not involve transferring the content from one party to a member of the public. The transfer of the content in that scenario comes from the over-the-air broadcast, which is a licensed public performance on the broadcaster’s part. And it needs to be licensed because the broadcaster is supplying the content “to the public” in the first instance.

But that’s not the issue here with Aereo. The issue is whether Aereo is publicly performing when the content is transmitted from Aereo’s service to members of the public. This is the transmission we are looking at, not the prior over-the-air transmission “to the public” from the broadcaster. The difference between this scenario and the home antenna and DVR scenario is that here Aereo is a middleman between the broadcaster and the member of the public. The transmission doesn’t go directly from the broadcaster to the member of the public; it goes from the broadcaster to Aereo to the member of the public. And the difference between the broadcaster and Aereo is that only the broadcaster has a license to publicly perform, i.e., to supply the content “to the public” in the first instance.

So the question is really whether Aereo is publicly performing by supplying the content to members of the public in the first instance. It seems clear to me that it is. Aereo’s service is “any device or process” that transmits copyrighted works “to the public.” Members of the public use Aereo to obtain the content in the first instance. And the fact that Aereo also enables its subscribers to make copies is beside the point. Those copies are just part of the “device or process” that Aereo uses to supply the content “to the public.” They don’t change the fact that Aereo is still engaging in the quintessential public performance, and Aereo can’t escape liability for copying by way of utilizing more copies.

Follow me on Twitter: @devlinhartline

Cross-posted on the Law Theories blog.

The petitioners have filed their reply brief in the Aereo appeal, and I’m thrilled to see their focus on who supplies the content—a standard for differentiating cloud computing sheep from goats that I’ve been advocating (see here and here).

Right out of the gate, the petitioners note that Aereo supplies the content:

Congress could hardly have been clearer that it did not want technological advances (or, in Aereo’s case, gimmicks) to undermine its basic policy judgment that a third party should not be able to build a business model out of supplying performances of the copyrighted works of others to the public without authorization.1

And the petitioners point out that this makes Aereo different than other cloud computing services:

Nor is there any merit to Aereo’s suggestion that its service is indistinguishable from legitimate cloud computing services. There is an obvious difference between providing storage for content that the end-user independently possesses and making the content itself available to anyone who pays a fee.2

Aereo is not just like any other cloud computing service. Aereo’s subscribers utilize its service to obtain content in the first instance—content that Aereo itself supplies via its tens of thousands of tiny antennae. It doesn’t matter how Aereo supplies the content (uploads, cameras, antennae, etc.). It matters whether Aereo supplies the content. And obviously it does—that’s the very service Aereo provides. Subscribers pay Aereo eight or twelve bucks a month because they want the content Aereo supplies. Without that content, there is no Aereo. In fact, the only content available on Aereo’s service is the content that Aereo itself supplies.

This concept of who the supplies the content is nothing new. If I buy and download a song from iTunes, there is no doubt that iTunes is publicly distributing the content that it supplies. If I use Spotify to stream one of my favorite songs, there is no doubt that Spotify is publicly performing the content that it supplies. And if I look up a law review article on Westlaw, there is no doubt that Westlaw is publicly displaying the content that it supplies. And the fact that I press a button to initiate things doesn’t change the public nature of the distribution, performance, or display.

The difference between all of these services and the kind of passive cloud computing service that Aereo erroneously likens itself to is that these services supply the content in the first instance. Aereo is nothing like, say, Microsoft’s OneDrive, where I have been saving drafts of this post. Aereo instead—like iTunes, Spotify, and Westlaw—supplies the content to members of the public who wish to obtain that content in the first place.

An amicus brief supporting Aereo, filed by a group of thirty-six intellectual property and copyright law professors, argues that Aereo’s service is just like Sony’s VCR:

The Aereo system is the functional equivalent of the Sony Betamax: consumers use it to record television programs for subsequent playback to themselves.3

In their opinion, Aereo lacks the necessary volitional conduct to be held directly liable:

As in Sony, consumers are using a technology to record copyrighted works for their later enjoyment. As in Sony, consumers make every specific decision about how to use the technology. They choose which television programs to record, for how long to record them, when to watch those programs later, for how long to watch them, and when to discard previously stored programs. Consumers call all of the shots. On the present record, if anyone here is a direct infringer, it is the consumers. Aereo lacks the necessary “aspect of volition” to be held directly rather than secondarily liable.

This rule—the “volitional conduct” doctrine—has an impeccable pedigree. Every Court of Appeals to have considered the volitional conduct doctrine has adopted it. In addition, District Courts in another three circuits have endorsed the doctrine.4

I wholeheartedly agree that the volitional conduct test has an “impeccable pedigree” and that it should be applied here to determine whether Aereo is a direct infringer. Properly understood, the volitional conduct test simply looks at the actions taken by the defendant that brought about the particular copying (in the broad sense) at issue. The test, in other words, is causation. And the notion that liability turns on causation is not some special rule applicable only to copyright infringement. It’s foundational to tort law generally.

As with all torts, the question is whether the defendant’s tortious conduct was the legal cause—a term of art—of the violation of the plaintiff’s legal right:

The words “legal cause” . . . denote the fact that the causal sequence by which the actor’s tortious conduct has resulted in an invasion of some legally protected interest of another is such that the law holds the actor responsible for such harm unless there is some defense to liability.5

In order for the defendant’s conduct to be the legal cause of the injury,6 “the act or omission must be a substantial factor in bringing about the harm.”7 “Substantial” denotes “the fact that the defendant’s conduct has such an effect in producing the harm as to lead reasonable men to regard it as a cause.”8 The law is not interested in all conduct that brings about the injury, i.e., the factual causes of the injury. Indeed, such causes could conceivably “stretch back to the dawn of human history.”9 The law instead focuses on proximate causation, which is “shorthand for a concept: Injuries have countless causes, and not all should give rise to legal liability.”10

But where to draw the line between those factual causes that are proximate and those that are not? As with perhaps all line drawing, there’s a certain arbitrariness to it:

What we do mean by the word ‘proximate’ is that, because of convenience, of public policy, of a rough sense of justice, the law arbitrarily declines to trace a series of events beyond a certain point. This is not logic. It is practical politics.11

I take a less cynical view, but I think the arbitrariness is easy to misunderstand. There’s nothing arbitrary about holding a defendant liable for an injury that he factually caused. The arbitrariness comes from not holding a defendant liable for an injury, even though he factually caused it. And the reason proximate causation analysis is somewhat arbitrary in nature is because it has to be:

[T]he infinite variety of claims that may arise make it virtually impossible to announce a black-letter rule that will dictate the result in every case. Instead, previously decided cases identify factors that circumscribe and guide the exercise of judgment in deciding whether the law affords a remedy in specific circumstances.12

Since it’s impossible to create a rule that encompasses every possible way of causing an injury, it’s left to the courts to fashion the contours of the proximate causation analysis. This common law tradition applies in copyright law as it does in all tort law. Copyhype’s ever-brilliant Terry Hart has identified a list of factors that courts have considered while analyzing causation, such as the location of the equipment and who supplies the content. These factors are relevant because they go to whether the defendant is a substantial cause of the copying.

This proximate causation analysis should not be misperceived as a balancing test, such as the one employed when a court determines whether a given use by a defendant is fair. These factors are not relevant because they’ve survived some ad hoc or categorical balancing of the plaintiff’s and defendant’s interests. They are relevant, where applicable, because they represent commonly-occurring conduct by a defendant that goes to whether the defendant caused the copying at issue to occur.

Getting back to the amicus brief submitted by the thirty-six intellectual property and copyright law professors, I think their analogy between Sony’s VCR and Aereo’s service is unpersuasive because the volitional conduct with each is significantly different. Of course, Sony concerned the reproduction right, while Aereo concerns the public performance right. But, more fundamentally, Sony’s liability was ultimately analyzed under the rubric of indirect infringement—and not direct infringement as we have here with Aereo—because Sony’s conduct was sufficiently remote such that it was not directly causing the copying at issue.

While we may tend to think of Sony as a contributory liability case, the fact is that the copyright owner plaintiffs also argued for direct liability in the district court. In support of this claim, the plaintiffs cited Elektra,13 a case that is eerily on point here with Aereo. There, the defendants operated a store where blank tapes, coin-operated tape-duplicating machines, and prerecorded copyrighted works were offered to the public for in-store use. The district court found that the plaintiffs had demonstrated a strong likelihood of success on the merits as to their claim for direct infringement.

But, in analyzing the legality of the VCR, the district court in Sony found Elektra inapposite because the “involvement of the defendants in the infringing activity” there “was much more substantial and direct than that alleged against defendants here.”14 And central to this finding was the fact that Sony did not supply the content:

“Defendants Sony and Sonam manufacture and market the Betamax and blank tapes. They do not, however, loan or otherwise provide the copyrighted work.”15

Thus, even though the defendants in Elektra and Sony both supplied the blank tapes and the copy machines, the cases were distinguishable because, among other things, the defendants in Sony did not also supply the content.

Later in the litigation, this factor was also invoked by the Supreme Court: “Petitioners in the instant case do not supply Betamax consumers with respondents’ works; respondents do.”16 Other factors, such as “the range of [the VCR's] potential use” and the fact that Sony was not “in a position to control the use of copyrighted works by others” played a part in the Court’s analysis as well.17 The Court found it relevant that Sony’s only contact with the users of its VCRs happened at the point of sale. Subsequent to that sale, Sony maintained no direct control over the allegedly infringing activity of those users.

Aereo thus stands in stark contrast to Sony. Like the defendants in Elektra, Aereo does more than simply supply the modern equivalent of blank tapes and copy machines—Aereo supplies the content as well. And unlike Sony’s VCR, Aereo’s service does not have a wide range of potential uses. In fact, the only content that can be reproduced and performed with Aereo’s service is the content that Aereo itself supplies. Moreover, in contrast to Sony, Aereo maintains an ongoing relationship with its subscribers, retaining direct control over its entire service at all times. These differences are significant, and they’re relevant here because they go to causation.

The Aereo petitioners similarly rebut the Sony argument in their reply brief:

Aereo nonetheless attempts to liken itself to a . . . VCR manufacturer, insisting that it is not performing because the user “presses the button to make the recording[]” that Aereo uses to retransmit broadcast television. But Aereo ignores . . . the multiple features that distinguish its examples – including that the . . . VCR manufacturer suppl[ies] only the equipment for copying content, while users supply the content.18

The petitioners point out that a VCR is worthless without access to content, and in contrast to Sony’s VCR, “the whole point of Aereo’s service is to provide access to the content.”19 The petitioners note that Aereo markets itself as providing a means of watching live television, and the only content available with Aereo’s service is the content that Aereo itself supplies. By arguing that it’s just like a VCR—or even a remote DVR for that matter—the petitioners remind us that Aereo “elides the question of where the content being recorded came from.”20

Furthermore, as the petitioners rightly indicate:

[W]ithout the content the antenna receives, Aereo’s DVR functionality would be useless. And where a service like Aereo provides the users with content, it cannot coherently argue that the user is the only one performing that content.21

This is the same rule that applies with services such as iTunes, Spotify, and Westlaw, mentioned above. These services are the ones publicly distributing, performing, or displaying the content because the content made available to the public is supplied by the services themselves. And the same holds true for Aereo:

Because Aereo is offering not just a piece of equipment, but an integrated service that includes access to copyrighted content, its efforts to suggest that it is a mere equipment supplier and only its subscribers perform are doomed.22

This case isn’t about the legality of a DVR or even of the cloud itself. The petitioners are not challenging the notion that time-shifting is fair use or that legally-possessed content can be stored and accessed in the cloud. The petitioners instead are simply arguing that Aereo is a direct infringer because Aereo itself supplies the content to its subscribers. By doing so, Aereo’s conduct is sufficiently proximate such that it has substantially caused the performance to occur. What Aereo does with the content it supplies is no different than what iTunes, Spotify, and Westlaw do—except for the fact that those services have licenses to supply the content, of course.

Follow me on Twitter: @devlinhartline

Footnotes

  1. Reply Brief for Petitioners, American Broadcasting Companies, Inc. v. Aereo, Inc., No. 13-461, 2014 WL 1430768 at *1 (U.S. April 14, 2014). []
  2. Id. at *3. []
  3. Brief of 36 Intellectual Property and Copyright Law Professors as Amici Curiae in Support of Respondent, American Broadcasting Companies, Inc. v. Aereo, Inc., No. 13-461, 2014 WL 1348474 at *1 (U.S. April 2, 2014). []
  4. Id. at *6 (internal citations omitted). []
  5. Restatement (Second) of Torts § 9 (1965). []
  6. An “injury” is simply the “violation of another’s legal right, for which the law provides a remedy.” Black’s Law Dictionary (9th ed. 2009). []
  7. Restatement (Second) of Torts § 9, cmt. a (1965). []
  8. Restatement (First) of Torts § 431 (1934). []
  9. Laborers Local 17 Health & Benefit Fund v. Philip Morris, Inc., 191 F.3d 229, 235 (2d Cir. 1999). []
  10. CSX Transp., Inc. v. McBride, 131 S.Ct. 2630, 2637 (2011). []
  11. Palsgraf v. Long Island R. Co., 248 N.Y. 339, 352 (1928) (Andrews, J., dissenting); but see Laborers Local 17, 191 F.3d at 235 (“Proximate cause is an elusive concept, one always to be determined on the facts of each case upon mixed considerations of logic, common sense, justice, policy and precedent.”) (internal quotations and citations omitted). []
  12. Associated Gen. Contractors of California, Inc. v. California State Council of Carpenters, 459 U.S. 519, 535-37 (1983). []
  13. Elektra Records Co. v. Gem Elec. Distributors, Inc., 360 F.Supp. 821 (E.D.N.Y. 1973). []
  14. Universal City Studios, Inc. v. Sony Corp. of Am., 480 F.Supp. 429, 458 (C.D. Cal. 1979). []
  15. Id. []
  16. Sony Corp. of Am. v. Universal City Studios, Inc., 464 U.S. 417, 436-37 (1984). []
  17. Id. at 437. []
  18. Reply Brief for Petitioners, supra note 1, at *16. []
  19. Id. at *17. []
  20. Id. []
  21. Id. at *18. []
  22. Id. []

In 1966, the cable TV industry warned that if it was brought within the scope of copyright law, it “could very well be forced out of existence to the great injury to the public interest, and with no corresponding benefit to copyright owners, broadcast stations, or the public.”1

That didn’t happen; in fact, cable television is not only doing quite well but has become the producer of some of the most amazing and compelling programs today, benefiting all.

But nearly a half century later, Aereo has resurrected the same arguments to justify its position as a for-profit middleman. According to Aereo’s CEO, holding the company liable “would impair cloud innovation and threaten the myriad benefits to individuals, companies, and the economy at large of the advances in cloud computing and cloud storage.”

A Supreme Court ruling against Aereo won’t spell the end of cloud computing — Over at Truth on the Market, Geoffrey Manne, Ryan Radia, and Ben Sperry explain why a holding finding Aereo liable for publicly performing copyrighted works won’t mean cloud computing services would face new liability.

Google, once disdainful of lobbying, now a master of Washington influence — A comprehensive and sobering look at how stunningly powerful the search giant has grown in only a few short years. “‘Google’s influence in Washington has chilled a necessary and overdue policy discussion about the impact of the Internet’s largest firm on the future of the Internet,’ said Marc Rotenberg, a Georgetown University law professor who runs the Electronic Privacy Information Center, a watchdog and research organization.”

Digital Public Library of America to add millions of records to its archive — Ars reports, “Today marks the Digital Public Library of America’s one-year anniversary. To celebrate the occasion, the non-profit library network announced six new partnerships with major archives, including the US Government Printing Office and the J. Paul Getty Trust.”

World IP Day – Movies: A Global Passion — If you’re in DC next Wednesday, do check out the Copyright Office’s World IP Day program, in partnership with the Copyright Alliance, featuring multi-award winning feature film and television director Matthew Harrison, two-time Daytime Emmy Award-nominated actor Robert Newman, and film scholar Mike Mashon, Head of the Moving Image Section at the Library of Congress.

Footnotes

  1. Statement of Frederick W. Ford, President, National Community Television Association, Inc.; Accompanied by Alfred R. Stern, Chairman, Board of Directors; and E. Stratford Smith, Special Counsel, National Community Television Association, Inc., Hearings before the Subcommittee on Patents, Trademarks, and Copyrights of the Committee on the Judiciary, US Senate, 89th Congress, Pursuant to S. Res. 201 on S. 1006, pg. 86 (1966). []

The World’s Top 10 Most Innovative Companies in Music — What makes this list particularly relevant is its recognition that innovative music companies include record labels, both major and independent.

Can Private Photos be Used in Political Ads Without Permission? — An anti gay rights group used a wedding photo of a gay couple to create a political flier without the couple’s or photographer’s permission. This week, a federal judge refused to dismiss a copyright infringement claim brought by the photographer and couple based on a fair use defense raised by the advocacy group.

Who’s a jerk? The site that tagged millions of Facebook users ‘jerk’ — “The FTC filed a complaint on Monday alleging that Jerk.com dishonestly harvested personal information from millions of Facebook users to create profiles that labeled people either ‘jerk’ or ‘not a jerk.’ The site then reportedly told users they had to pay $30 to access ‘premium’ features that would let them dispute the ‘jerk’ tags.” The complaint raises charges of deceptive representations, and it was initiated by Facebook, rather than the users affected, but there are parallels to copyright. Jerk.com misappropriated Facebook users’ expressive content. And though the personal information is not inherently commercial, the sharing of it with Facebook is a commercial exchange—it is what Facebook’s entire business model is premised on. Finally, for those who place substantial emphasis on the incentive function of copyright, this case demonstrates why copyright’s incentives are still a good fit even outside the paradigmatic professional publication context. Facebook users disseminate their photos and other expressive works on the service with certain expectations; having their content scraped by sites like Jerk.com is very likely outside those expectations. If such occurrences became commonplace or unenforced, it would create a disincentive to disseminate personal content.

YouTube Hurts Music Album Sales, Research Finds — The research, from R. Scott Hiller and Jin-Hyuk Kim, refutes in part the idea that services like YouTube have a promotional effect on music sales. Rather, there appears to be a significant substitutional effect.

Fire the robot — “Toyota, which just yesterday announced a recall of more than six million cars for a variety of defects, is having second thoughts about its robot culture. A longtime pacesetter in factory automation, the company is putting a new stress on nurturing human expertise and craftsmanship.”

Girl Talk Q&A: On Sampling, Disney & His First Ever Music Video — The spiritual successor to Jive Bunny reveals in an interview that on his latest project, “We cleared the samples for this song. I didn’t feel like my ideals were compromised when we did that. I evaluate each piece of work on its own merits. I don’t think of it as anarchy. I think about each work separately and consider whether it qualifies for fair use or not. In this case, we needed the clearance.”

Imagine an author. She has a spark of inspiration and sets out developing a story. Characters are sketched out. Index cards bearing plot points are written up, arranged, and rearranged. As the story takes shape, she calls in her assistant, who, sitting at a computer, types in the first draft of the story as the author dictates.

Now, we ask, who has written the story?

Common sense would tell us the author, of course, has written the story, and few would dispute that answer. But in the strictest, technical sense, if we define “to write” narrowly enough to mean only the last act between thought and word on page, the ministerial act, it is the assistant who wrote the story, by typing it out.

Beyond semantics, that narrow definition is not particularly useful. Only the trivia buff would be interested in the participation of the assistant; most of us want to know who the author was, who is responsible, in the real sense, for the story we are reading. We don’t need a million monkeys to know that the process of writing is more than tapping on a keyboard.

In recent decades, due to technology, copyright law has increasingly had to deal with a similar question. Because copyright law is concerned primarily with the act of copying, some courts have had to ask who has made the copy. When a copy has been made without authorization, who is the author of the infringement?

This question becomes most palpable when we start talking about what I will refer to as “copy machines.” These include literal copiers like photocopiers, tape recorders, or DVRs, as well as virtual copy machines—computing processes, both on local devices or working within the cloud. The problem is that some courts have adhered to the strict technical sense of words and defined “to copy” so narrowly that it doesn’t correspond with the common sense definition.

Aereo

The Supreme Court is set to hear oral arguments in American Broadcasting Companies v. Aereo on April 22. The question of who “caused” the infringement is raised by Aereo in its brief, though the issue was not addressed by either the district or appellate courts below. However, it does cast a long shadow over the proceedings. Some commenters have raised the fear that the entire fate of the cloud computing industry rests on the Supreme Court’s decision (this year’s iteration of “copyright will break the internet,” I suppose).1

This argument is unsound for at least two reasons. First, the Cablevision decision, upon which Aereo relies on, only applies within the Second Circuit, so the fact that cloud computing has flourished in other parts of the US, and throughout the world, suggests the decision is not the panacea Aereo supporters claim it is.2 Second, service providers already have safe harbor from liability for infringing activity stemming from user-directed storage.3 So any protection Supreme Court affirmation would provide would largely be redundant.

Nevertheless, US case law has yet to fully develop a satisfactory answer to the question of who “makes” a copy, and it is safe to say the issue will maintain its prominence in the near future. In this article, I want to take a look at this case law to see how courts have approached the question, which is not a novel question in the law. Particularly, I look at the emergence of the “volitional conduct” test to mediate disputes over direct liability on the internet. I note that most often, this test resembles the legal doctrine of proximate causation and argue that ditching volitional conduct entirely in favor of a more direct focus on proximate causation would offer more clarity and better results. I finish by sketching out what a proximate causation inquiry might look like.

Copying, causation, and volition in the courts

Prior to the popularization of the internet, a handful of cases examined the contours of liability for those who make, own, or operate copy machines utilized by others.

Make-A-Tape

In 1973, a court considered a chain of electronics stores operating “Make-A-Tape” machines.4 Customers could select an album from the store’s catalog, purchase one of the blank tapes sold by the store, conveniently receiving as change the two quarters required to operate the machine, and start the “Make-A-Tape.” Within two minutes, the customer could leave the store with a perfect copy of the album at a fraction of the cost.

The Eastern District Court of New York did not delve too deeply into the question of causation, but it did conclude that “Regardless of the precise role played by defendants’ employees, the above-described operation of the Make-A-Tapes clearly evidences their commercial exploitation by defendants for profit in derogation of plaintiffs’ rights of exclusive publication.”

The defendants attempted to escape direct liability by focusing the court’s attention on the self-service nature of the copiers and their resemblance to “a photocopier in a public library.” This did not convince the court, which focused on the differences in time, quality, and cost of reproducing entire works on a photocopier compared to the Make-A-Tape machine. It also pointed out the non-profit nature and altruistic motives of a library, which differ from how the defendants “manifestly utilize the Make-A-Tape as a further source of income.”

Sony Betamax

The issue of who makes a copy did not, apparently, come in front of courts again for another six years, in Universal City Studios v. Sony Corp. of America. The Supreme Court’s decision regarding the secondary liability of a Betamax manufacturer is considered a cornerstone of modern copyright jurisprudence. But little attention is paid to the fact that, years before the highest court would consider indirect liability, the district court considered whether Sony should be directly liable for infringement of Betamax users.

The district court noted that “It is true that one can be found to have infringed directly even without participating in the actual infringing activity.” But the court ultimately held Sony could not be directly liable for copying occurring on the machines it designs and distributes for a number of reasons.

First, Sony does not “loan or otherwise provide the copyrighted work” that is being copied. Second, the copying does not occur on premises “operated and managed by the defendants but rather in a person’s home, a location in which individual privacy is constitutionally protected and over which defendants have no control.”5 Finally, the Betamax players aren’t solely used for unauthorized copying; they have a range of uses and can be used for noninfringing purposes.6

Kinko’s

Print shop Kinko’s would find itself in court in the early 90′s, the subject of an infringement complaint for operating a “course packet” service—college professors would provide nearby Kinko’s with selections and chapters from original copyrighted works that had been assigned to students, and Kinko’s would duplicate and assemble the materials into anthologies that they would then sell to students.7

There was little argument that Kinko’s was “making” the copies. However, when it came to assessing damages, Kinko’s argued that it was acting as an agent of the professors’ college since “Section 504(c) provides that the court ‘shall remit statutory damages … where an infringer believed and had reasonable grounds for believing that his or her use of the copyrighted work was a fair use …, if the infringer was (i) an employee or agent of a nonprofit educational institution….’ 17 U.S.C. § 504(c)(2).”

The court rejected this argument, saying there was no evidence of an agency relationship between Kinko’s and the university, and Kinko’s was unable to show that “the professors exerted a sufficient level of control over the relationship.”

Frena

Finally, one of the earliest cases involving copyright liability in the online context saw a bulletin board system (BBS) operator liable for directly infringing public display and distribution rights.8 Though there was only brief discussion in Frena, the court did say, “There is no dispute that Defendant Frena supplied a product containing unauthorized copies of a copyrighted work. It does not matter that Defendant Frena claims he did not make the copies itself.”

Netcom

And then came Netcom. In 1995, the Northern District Court of California was confronted with the question of copyright liability for an internet access provider based on infringement occurring on Usenet groups.9 Usenet is a decentralized communications system consisting of thousands of “newsgroups” where users can read and post public messages. Internet access providers can set up a Usenet server to become part of the system and allow their subscribers to interact with Usenet, but the system otherwise functions independently from any one internet access provider—indeed, it operates independently from any individual or entity.

A critic of the Church of Scientology had posted a number of unpublished and published works, without permission, of Scientology founder L. Ron Hubbard to a religion newsgroup. The copyright holders of the works sued for copyright infringement, naming the critic who uploaded the works, the operator of the BBS where the works were uploaded, and Netcom, which provided internet access to the BBS (and, by extension, to the critic). Netcom moved for summary judgment on the issue of its own direct liability.

The court granted the motion, saying “Although copyright is a strict liability statute, there should still be some element of volition or causation which is lacking where a defendant’s system is merely used to create a copy by a third party.” The court described the copying done by Netcom as “automatic[] and uniform[]” and its actions as “necessary to have a working system for transmitting Usenet postings to and from the Internet.” Thus, “the mere fact that Netcom’s system incidentally makes temporary copies of plaintiffs’ works does not mean Netcom has caused the copying.”

Netcom would serve as the stepping off point for analyzing direct liability online. Nearly every subsequent case where the issue of direct liability for the owner or operator of a copying service or platform arose refers to the case.

But while these courts agree that Netcom said direct liability requires some form of “volitional conduct”, there is little agreement over what that means.

After Netcom

The Fourth Circuit adopted Netcom in CoStar Group v. LoopNet, saying

to establish direct liability under §§ 501 and 106 of the Act, something more must be shown than mere ownership of a machine used by others to make illegal copies. There must be actual infringing conduct with a nexus sufficiently close and causal to the illegal copying that one could conclude that the machine owner himself trespassed on the exclusive domain of the copyright owner. The Netcom court described this nexus as requiring some aspect of volition or causation.10

However, the language of CoStar, rather than describing a general causation principle, suggests that it was laying down a blackletter rule that “an ISP who owns an electronic facility that responds automatically to users’ input is not a direct infringer.” A subsequent, unpublished Fourth Circuit opinion lends credence to this notion; in Quantum Systems Integrators v. Sprint Nextel, the court quoted CoStar‘s holding “that ISPs, when passively storing material at the direction of users in order to make that material available to other users upon their request, do not ‘copy’ the material in direct violation of § 106 of the Copyright Act” and rejected defendant’s argument that it was shielded from liability under this rule in part by pointing out that it was not engaging “in ‘conduct typically engaged in by an ISP.’”11

In Cartoon Network v. CSC Holdings (“Cablevision“), the Second Circuit adopted Netcom, holding that copies produced by a cable provider’s remote DVR (RS-DVR) system are “made” by the cable provider’s customers, and the cable provider’s contribution of providing the system doesn’t warrant the imposition of direct liability.12 Unlike CoStar, Cablevision didn’t read Netcom as establishing a rule for analyzing the liability of ISPs—indeed, Cablevision operated a sui generis service wholly separate from the Internet. Instead, Cablevision read into Netcom a distinction between human acts and technical processes, with only the former supplying the necessary “volition” for direct liability. “In determining who actually ‘makes’ a copy,” said the Second Circuit, “a significant difference exists between making a request to a human employee, who then volitionally operates the copying system to make the copy, and issuing a command directly to a system, which automatically obeys commands and engages in no volitional conduct.”

The Cablevision court never explains exactly what this difference is or why it is so significant. (Indeed, this statement seems contrary to the Fourth Circuit’s claim in CoStar that employee review of images before they are posted “tends only to lessen the possibility that LoopNet’s automatic electronic responses will inadvertently enable others to trespass on a copyright owner’s rights.” As noted later on, some courts have been too quick to read causation out of the design of automated processes.)

Other cases have taken the same view as Cablevision and held that Netcom stands for the proposition that the design of automated technical processes is never causational. Some courts describe this rule as saying the lack of human intervention means there is no volitional conduct.13 But that is not entirely true. Humans certainly intervened, volitionally, to design the system and maintain and operate it. So, contrary to how courts here have described it, it is more accurate to say this permutation of the “volitional conduct” test limits direct liability when there is no human intervention contemporaneous with the moment a copy is initiated.

Finally, some courts have interpreted “volitional conduct” as roughly synonymous with the general tort principle of “proximate causation.”

At least one court has explicitly called attention to this resemblance. “Notwithstanding these sound decisions, the concept of ‘volition’ can be confusing,” said the Central District Court of California. “‘Volitional’ is sometimes understood to mean ‘intentional,’ and yet no showing of intent is required for direct infringement liability. In this Court’s view, the key to understanding the so-called ‘volitional conduct’ requirement is to equate it with the requirement of causation, not intent. ‘Just who caused the copyrighted material to be infringed?’”14

And the Ninth Circuit seems to have implicitly taken the position that volitional conduct is equivalent to proximate causation.

In Fox Broadcasting Co. v. Dish Networks, satellite TV provider Dish was sued, in part, for unauthorized copying of television programs made through its PrimeTime Anytime Service (PTAT). When enabled by a subscriber, PTAT automatically recorded all primetime programs from the four major broadcasters and made them available on the subscriber ‘s DVR. Dish argued that its subscribers should be the ones exposed to liability because they, not Dish, “made” the copies.

The Central District Court of California agreed with Dish. On a preliminary injunction motion, the court said Dish was likely to prevail on the merits, relying primarily on the holdings of Netcom and Cablevision that require some element of “volitional conduct” for direct liability.

The decision was appealed, and the Ninth Circuit affirmed. But there’s something curious about the opinion. The Circuit does not once mention volition, nor does it cite to the granddaddy of volitional conduct, Netcom (though it does cite approvingly to Cablevision). Instead, it said simply that direct liability “comprises a requirement that the defendant cause the copying.” (Emphasis added). In addition, the court repeats the lower court’s quotation to Prosser’s recitation of the proximate causation inquiry.15 At least one district court within the Ninth Circuit has since suggested that the Circuit had yet to adopt the “volitional conduct” test.16

In short, it is not remarkable to say “that the principle of volition has been applied inconsistently and is not always well understood.”17 The above discussion demonstrates that, since Netcom, at least three versions of the “volitional conduct” test have emerged (four, if you count cases where its application was declined entirely).

I think the last view—that volitional conduct is merely a substitute for proximate causation—is correct, and that the different terminology has led courts astray. Focusing on proximate causation instead of volitional conduct would provide better results. To see why, let’s take a closer look at proximate causation.

Proximate Causation and Copyright

Copyright infringement is a strict liability tort. Knowledge or intent are not required for copyright infringement.18 But infringement does require, like all torts, some element of causation, an act that results in the harm. Causation is typically divided into factual (“but for”) causation and “proximate” causation. Put another way, did the act actually cause the harm and, if so, should the law, as a matter of policy, hold the actor liable for causing the harm.19

Factual causation is not typically difficult to establish since it is such a broad concept. Proximate causation, on the other hand, is an entirely different story. It is not a philosophical or scientific question, but a legal one.

“What we do mean by the word “proximate” is that, because of convenience, of public policy, of a rough sense of justice, the law arbitrarily declines to trace a series of events beyond a certain point.”20

The factual causes of any occurrence are seemingly limitless. One could trace forever the chain of events that lead to a specific harm, but it has long been recognized that there is little sense in extending legal responsibility throughout those chains. The chief mechanism animating this recognition is proximate causation. Proximate causation is a limiting theory about the “specific qualities that an agency must possess in relation to the outcome in order to be its cause in law.”21 As Chief Justice Roberts has said, proximate cause “limits liability at some point before the want of a nail leads to loss of the kingdom.”22

Justice O’Connor, in a case concerning causation under an environmental statute that is silent on the issue, explains how proximate causation is an element of all strict liability torts and roughly sketches its contours and purpose:

Strict liability means liability without regard to fault; it does not normally mean liability for every consequence, however remote, of one’s conduct. I would not lightly assume that Congress, in enacting a strict liability statute that is silent on the causation question, has dispensed with this well-entrenched principle. In the absence of congressional abrogation of traditional principles of causation, then, private parties should be held liable under § 1540(a)(1) only if their habitat-modifying actions proximately cause death or injury to protected animals…

Proximate causation is not a concept susceptible of precise definition. It is easy enough, of course, to identify the extremes. The farmer whose fertilizer is lifted by a tornado from tilled fields and deposited miles away in a wildlife refuge cannot, by any stretch of the term, be considered the proximate cause of death or injury to protected species occasioned thereby. At the same time, the landowner who drains a pond on his property, killing endangered fish in the process, would likely satisfy any formulation of the principle. We have recently said that proximate causation “normally eliminates the bizarre,” and have noted its “functionally equivalent” alternative characterizations in terms of foreseeability, and duty, Proximate causation depends to a great extent on considerations of the fairness of imposing liability for remote consequences. The task of determining whether proximate causation exists in the limitless fact patterns sure to arise is best left to lower courts.23

O’Connor notes the role of fairness in the proximate causation inquiry; other commenters point out the role of justice, blame, and moral responsibility. Some common policy questions underlying proximate causation include “indications of preconceived purpose, specifically intended consequence, necessary or natural result, reasonable foreseeability of result, the intervention of independent causes, whether the defendant’s acts are a substantial factor in the sequence of responsible causation, and the factual directness of the causal connection.”24

Proximate causation is often tied to our expectations. “One connotation of proximate cause is that harm came about in a ‘direct’ or expected way, rather than in an unusual, freakish manner.” In addition, liability may not be found “because of lack of proximate cause in the sense that the accidents are coincidental to defendants’ behavior, unrelated to the normal risk created by their behavior.”25

Finally, proximate causation contains a recognition that liability must necessarily cut off. “At some point in the causal chain, the defendant’s conduct or product may be too remotely connected with the plaintiff’s injury to constitute legal causation ”26

If we revisit the Netcom decision through the lens of proximate causation, we can easily see that the court was considering the same policies. For instance, it considers the consequences of placing liability on the defendant when it notes that holding Netcom liable “would create many separate acts of infringement and, carried to its natural extreme, would lead to unreasonable liability.” It looks at whether the defendant’s acts are a substantial factor in the sequence of responsible causation and the magnitude of the burden of guarding against it when it says holding Netcom directly liable “would hold the entire Internet liable for activities that cannot reasonably be deterred.” The court is, in other words, demonstrating reasons it should limit Netcom’s legal liability despite its factual role in causing the copying.

That is to say that when Netcom says direct liability requires “some element of volition or causation”, it is referring primarily to the latter, not the former. Read appropriately, Netcom means “proximate causation” when it says “volitional conduct”.

If we agree that the “volitional conduct” test and proximate causation are largely synonymous than we can, and should, ditch any talk of “volitional conduct.”

This is preferable for a number of reasons. For one thing, the “volitional conduct” test provides no advantage over a proximate causation inquiry.

Saying direct liability requires volitional conduct is redundant. The second Restatement of the Law on Torts says that an intentional tort requires an “act”. It defines an “act” as “an external manifestation of the actor’s will” and notes “there cannot be an act without volition”. So to say that copyright infringement requires a volitional act is simply to repeat the obvious and doesn’t get us far. It is like saying we have a right to “free speech on Tuesdays.”27

And, in fact, it puts courts and litigants at a disadvantage. Calling proximate causation “volitional conduct” adds little or no clarity or guidance to the test and only further masks the policies that drive proximate causation analysis in the first place.

Proximate causation itself is already a proxy for an unspecified set of policies that underlie law. By skipping over analysis of proximate causation, courts miss the opportunity to be informed by those policies. At the same time, there have been little or no underlying policies that have emerged as guidance since Netcom for applying the volitional conduct test.

At its core, the question of who “makes” a copy when we are dealing with owners, operators or other intermediaries of copy machines is this: at what point do we circumscribe legal responsibility for parties who are factual causes of a copy. That is precisely the type of question that proximate causation seeks to answer.

One initial result of this decision is that courts need to take care in per se rules regarding automated processes. In a world with self-driving cars and computers that can play chess, it should be apparent that the mere fact that an act occurs via an automated function that can operate independent of the operator should not preclude the operator or programmer of the function as a causal agent of the consequences. Whether an automated process is a causal agent of the operator is a question of fact, but surely the design or programming of a process is, in the language of tort law, an external manifestation of the programmer’s will.

Indeed, you rarely see cases outside the copyright context reflect this sort of thinking. For example, just last month, a federal court held that search engine results are protected by the First Amendment. During its analysis, the court stated that “the fact that search-engine results may be produced algorithmically” is irrelevant. “After all, the algorithms themselves were written by human beings, and they ‘inherently incorporate the search engine company engineers’ judgments about what material users are most likely to find responsive to their queries.’” It would be weird to say the results of an automated process can be considered protected speech attributed to the operator of the system employing that process, unless they are infringing, in which case they are not attributable to the operator. And indeed, at least a few courts have bucked the trend and found the design of automated processes indicative of causation.28

Analyzing Proximate Causation

The ultimate conclusion here is that using proximate causation to answer the question of who makes a copy is sound. It is superior to the ill-defined “volitional conduct” test that some courts have used and should provide better guidance for courts to reach preferable outcomes. So what would a proximate causation analysis look like?

A full dissertation on proximate causation of copying online is beyond this article, but I think it is still worth attempting to trace out some rudimentary factors that courts might consider.

Since we are concerned with who makes a copy, it makes sense to focus much of our attention on the various steps and elements needed to create a copy. For example:

1) Location of equipment

Location is important, just as it is in most areas of the law. This is not so much a question of geography, but rather over the nature of the place, particularly who has dominion over the premises. Saying, as Aereo has, that the only difference between it and a personal antenna is the “length of the cable” is as inaccurate and meaningless as saying the only difference between my apartment and the Italian restaurant down the street is the amount of steps I have to take to get there. There are, it turns out, quite a few other differences, most far more relevant to any legal issue that may arise. I would point out that I am not as convinced as some courts are of the analogy between a self-service copy machine and that same machine in someone’s home. The copy machine in someone’s home is reserved for their use and so the amount of copying is necessarily limited. But the copy machine at a business is open to a potentially continuous stream of people coming to copy.29

How has this factor been handled by courts? On the one hand, there is little weight given to the fact that copying equipment is on a defendant’s premises—in fact, CoStar expressly exempts the housing and automated operation of copying equipment without more from direct liability. On the other hand, when the copying equipment is outside a defendant’s dominion, courts tend to view defendant’s participation as too remote for direct liability.30

2) Provision of copyrighted work

Implicit in many cases relying on Netcom is the fact that the services play a “hands-off” role in the copying, acting as a conduit or providing instead a platform for users to make their own copies—from their own original works.31 It makes less sense to limit liability for causing a copy when a service is providing the user with the work to be copied.

Even Cablevision, which found no direct liability for the provider of a remote DVR service, grudgingly admitted this point. The Second Circuit there said Cablevision’s “unfettered discretion in selecting the programming that it would make available for recording… is indeed more proximate to the creation of illegal copying than, say, operating an ISP or opening a copy shop, where all copied content was supplied by the customers themselves or other third parties.”

Courts should be skeptical of attempts by services to argue they are formally not the provider of a work despite functionally providing those works. One example of this can be seen in Columbia Pictures Industries v. Redd Horne.32 Defendant there, sued for infringing plaintiff’s public performance rights for operating viewing booths in its video rental store premises, argued that it was protected by the first sale doctrine. That is, since it had rented the video tapes to its customers, it was no longer responsible for any performances that resulted. The court rejected this argument outright, saying that the first sale doctrine only circumscribes a copyright owner’s control over further distributions. It does not operate as a waiver to a copyright owner’s other exclusive rights such as the public performance right.

But the court also noted that defendant’s argument elevated form over function. “The record clearly demonstrates that showcasing a video cassette at Maxwell’s is a significantly different transaction than leasing a tape for home use. Maxwell’s never disposed of the tapes in its showcasing operations, nor did the tapes ever leave the store. At all times, Maxwell’s maintained physical dominion and control over the tapes.”

Citing to Redd Horne, the court in Warner Bros. WTV Systems rejected a similar argument. There, defendant had built a convoluted internet streaming service where films were kept on DVDs and played on DVD players before being transmitted to user’s computers, rather than storing the digital files on a server. It argued that this set-up made it a service that offered “DVD rentals” rather than public performances, thus taking it outside the scope of copyright law. But, as in Redd Horne, the court found the DVDs remained under physical dominion and control of defendants, and did not resemble a DVD rental service.

3) Participation in copying process

How materially did the defendant participate in the copying process? This is one of those questions that can either threaten to swallow every other consideration or become redundant and act as a sort of meta-factor in the analysis. But I think case law does offer some guidance that can help shape this element into something meaningful and useful.

One example can be found in distinctions between cases involving Usenet services—interestingly, Netcom and a surprisingly large percentage of volitional conduct cases have dealt with Usenet. And, like Netcom, the majority have found that causation “is lacking where a defendant’s system is merely used to create a copy by a third party.”33 But at least one Usenet service had been found directly liable by a court, and the differences with that service are illustrative here.

In Arista Records v. Usenet.com, the court found, unlike other Usenet services, the defendant engaged in direct infringement by doing the following: it took active measures to create servers dedicated to mp3 files and increased retention time of those files knowing they were most popular content on service, it took active steps including automated filters and human review to remove access to certain categories of content and block certain users, and it routinely exercised control over which newsgroups to accept and store and which to reject.

Each of these steps make Usenet.com more directly a cause of the resulting unauthorized copying. Usenet.com’s actions make infringement a more likely and natural result, thus weakening the claim to limit Usenet.com, a “but for” cause of infringement, as a legal cause of infringement.

A second example of a court examining the participation of a defendant in the copying process is found in Capitol Records v. ReDigi, involving a service purportedly allowing “used” digital music files to be sold. Here the court found it relevant to direct liability that the defendant built a service where only copyrighted work could be sold, despite being automated. It also played a “fundamental and deliberate role” in distribution, including providing infrastructure for users’ infringing sales and affirmatively brokering such sales by connecting interested users with available sellers.

Third, one court said a filelocker could face direct liability for the following reasons: it designed and maintained a system that allows uploading and downloading; it created distinct websites, presumably in an effort to streamline users’ access to different types of media; it encouraged and, in some cases paid, its users to upload vast amounts of popular media through a reward program; it disseminated URLs for various files throughout the internet; it provided payouts to affiliate websites who maintain a catalogue of all available files; and, at a minimum, it was plausibly aware of the ongoing, rampant infringement taking place on its websites.34

Finally, by way of contrast, the district court in Sony explained a situation where a defendant’s participation was too attenuated to support direct liability. As noted above, the manufacturer of the Betamax maintained no role in copying once the device was sold to a customer and taken to his home. The sale severed all ties with the customer, the device, and any resulting copies.

What can be gleaned from these cases is that evidence that a service provider has not taken a “hands off” or passive role in operating a copying system will defeat limitation on direct liability. That evidence may take the form of intent, purpose, expectation, or ex ante knowledge.

4) Range of uses of “copy machine”

Closely related to the participation in the copying is the range of uses of a copy machine. A defendant who designs a system that is good for nothing but making infringing copies is very proximate to the resulting infringement. The operator of a service with substantial non-infringing uses—a true general-purpose system—is less so. The range necessary narrows as a defendant’s participation in process attenuates—so only devices which are good for pretty much nothing but infringement would give rise to liability as articles of commerce to the manufacturer.35 Essentially, this factor asks how probable the occurrence of infringement is due to the design of a defendant’s system.

Some courts and commenters single out the “unusual result” as demonstrative of causation, the thing that “makes the difference”. As one scholar explains, “The train wreck is said to be caused by the bent rail even though it was the bent rail together with the fact that the train was going at a certain speed (and other facts, of course) that led to the wreck. To cite the speed—when it is the normal speed of the train—as the cause would be wrong precisely because it is normal and therefore present as a factor when trains are not wrecked.”36 Infringement that occurs on a system designed more for infringing uses is a less unusual result than infringement that occurs on a more general purpose system.

5) Dominion over copy

The party that retains dominion over or possession of a copy once it has been made has less of a claim that he should not be legally responsible for making the copy in the first place. Courts are hesitant to place much stock in the fact that a particular defendant may retain possession over a copy—in Netcom, for example, the court rejected the argument that infringing copies remained on Netcom servers for up to eleven days prohibited it from limiting direct liability. But the converse—a service does not possess the copy once it’s made—has been a factor in limiting direct liability for some courts.37

Dominion over a copy, that is, the right or ability to control the copy, is also relevant. Several courts have limited direct liability by relying on the lack of an ability, legal or technical, to control the copy once it has been made.38 In Dish, though the Ninth Circuit ultimately held that the district court did not abuse its discretion when it denied a preliminary injunction, it did suggest that Dish’s dominion over the copies being made might end up supporting direct liability. The court said, “That Dish decides how long copies are available for viewing, modifies the start and end times of the primetime block, and prevents a user from stopping a recording might be relevant to a secondary or perhaps even a direct infringement claim.”

Miscellany

“Drawing the line between where legal causation may exist and where, as a matter of law, it cannot, has generated a considerable body of law.”39 Proximate causation is a factual inquiry—a question for the jury. Even then, it is an amorphous concept. The Seventh Circuit, for example, does not even have a definition for proximate causation in its pattern civil jury instructions.40 This article argues that courts should resist further use of the “volitional conduct” test to determine liability for services that make copies for users and allow users to make copies and instead rely on the existing tort doctrine of proximate causation, as this would be a clearer and more common sense approach. It does not purport to give any definitive answers to the proximate causation inquiry, nor suggest that doing so would be any easier than applying proximate causation outside the copyright context.

But I do want to end with a couple miscellaneous points worth mentioning.

First, and perhaps most importantly, while there may be similar principles governing causation of each of the various exclusive rights of a copyright owner, courts must be careful about the distinctions between each specific right. Throughout this article, I have used the term “copying” as shorthand for any of the exclusive rights of a copyright owner.41 However, the factors I trace are most relevant to the reproduction right. The elements of an act of reproduction are different from the elements of an act of distribution or a public performance. To note one important difference: when a copy of a work is made, there is only a single act of reproduction. A transmission, by contrast, may involve multiple performances.42 This materially changes any causation analysis.

Second, although intent, foreseeability or knowledge are not required to establish strict liability, their presence certainly demonstrates a more proximate cause of the resulting harm. Some courts, like the Cablevision court, appear to see evidence of such factors as irrelevant, or even contrary, to direct liability.43 However, it would seem that the fact that a service provider acted in a way that showed it intended the making of copies seems relevant to the question of whether it caused the making of the copies.

The claim that courts should analyze who “makes” a copy under proximate causation rather than volitional conduct is a starting point, not an end point. But it should provide greater clarity and results that are more congruent with common sense—results that should better adhere to copyright’s greater purpose.

Footnotes

  1. See, for example, David Sohn, Cloud Computing Threatened in Aereo Supreme Court Case, CDT (March 3, 2014); Marc Perton, Cablevision: Case against Aereo could destroy cloud computing (and our cloud DVR), Engadget (Dec. 13, 2013). []
  2. Cloud computing does not, for example, appear to have been destroyed in Australia despite a 2012 decision that is the equivalent of reversing Aereo. []
  3. 17 USC § 512(c). []
  4. Elektra Records v. Gem Electronic Distributors, 360 F. Supp. 821 (EDNY 1973). []
  5. The Ninth Circuit would later hold that a place “open to the public” does not include a hotel room because an individual renting a hotel room enjoys a similar constitutional right of privacy. Columbia Pictures Industries, Inc. v. Professional Real Estate Inv., Inc., 866 F. 2d 278, 281 (9th Cir. 1989). []
  6. The Supreme Court would eventually hold that this characteristic of Betamax players also prevents the imputation of requisite knowledge for contributory infringement by Sony. []
  7. Basic Books, Inc. v. Kinko’s Graphics Corp., 758 F. Supp. 1522 (SDNY 1991). []
  8. Playboy Enterprises v. Frena, 839 F. Supp. 1552 (M.D. Fla. 1993). []
  9. Religious Tech. Center v. Netcom On-line Comm., 907 F. Supp. 1361 (ND Cali. 1995). []
  10. 373 F.3d 544, 550 (4th Cir. 2004). []
  11. 338 Fed. Appx. 329 (4th Cir. 2009). []
  12. 536 F. 3d 121 (2nd Circuit 2008). []
  13. Perfect 10 v. Giganews, CV11-07098 AHM (SHx) (CD Cali, March 8, 2013); Wolk v. Kodak Imaging Network, Inc., 840 F. Supp.2d 724, 742 (SDNY 2012), “There is no dispute that any reproduction, display or transmission of the Plaintiff’s images by or through the KODAK Gallery website is an automated process with no human intervention by any employee of the Kodak Defendants. The fact that Wolk’s images are copied into product simulations in addition to being transmitted to fulfillment vendors does not constitute a volitional act where the copying is automated”; Disney Enterprises v. Hotfile, 798 F. Supp. 2d 1303, 1309 (SD Fla 2011), “courts have repeatedly held that the automatic conduct of software, unaided by human intervention, is not ‘volitional’”; Parker v. Google, Inc., 422 F. Supp. 2d 492 (ED Pa 2006), “When an ISP automatically and temporarily stores data without human intervention so that the system can operate and transmit data to its users, the necessary element of volition is missing. The automatic activity of Google’s search engine is analogous”; Field v. Google Inc., 412 F. Supp. 2d 1106 (D. Nevada 2006), holding that, regarding the creation and downloading of a cached copy of a web page from Google’s servers, “The automated, non-volitional conduct by Google in response to a user’s request does not constitute direct infringement under the Copyright Act.” []
  14. Perfect 10 v. Giganews, supra. []
  15. The lower court initially misquoted Prosser as saying the proximate causation inquiry looked at who was “the most significant and important cause” of the copy rather than “whether the conduct has been so significant and important a cause that the defendant should be legally responsible” a fact seized upon by plaintiff’s in their motion for rehearing en banc. The Ninth Circuit denied the rehearing but amended the original opinion to note the misquotation, though the ultimate outcome remained unchanged. []
  16. National Photo Group v. Allvoices, No. C-13-03627 JSC, n.3 (ND Cali, Jan. 24, 2014). []
  17. Eleanor M. Lackman and Scott J. Sholder, The Role of Volition in Evaluating Direct Copyright Infringement Claims Against Technology Providers, 22 Bright Ideas 3 (2013). []
  18. Sater Design Collection v. Waccamaw Construction, No. 4:08-CV-4133-TLW-SVH (D. S.C., Feb. 14, 2011) (“Case law establishes that knowledge or intent is not an element of copyright infringement “). []
  19. “Causation principles generally applicable to tort liability must be considered applicable. These require not only cause-in-fact, but “legal” or “proximate” cause as well, the latter involving a policy rather than a purely factual determination: “whether the conduct has been so significant and important a cause that the defendant should be held responsible.” Brandenburg v. Seidel, 859 F. 2d 1179, 1189 (4th Cir. 1988), quoting Prosser and Keeton Torts, § 42 p. 272 (general principle) (5th ed. 1984); “Cause in fact, “but for” causation, is not enough for liability. ” * * * `”Once it is established that the defendant’s conduct has in fact been a cause of the injury * * * there remains the question whether the defendant should be legally responsible for what he has caused * * *,”` ” and that is a question of policy to be resolved by the courts.” Benner v. Bell, 602 NE 2d 896, 899 (Ill App 4d 1992). []
  20. Palsgraf v. Long Island Railroad Co., 248 N.Y. 339 (1928) (Andrews, J., dissenting). []
  21. Antony Honoré, “Causation in the Law”, The Stanford Encyclopedia of Philosophy (Winter 2010 Edition), Edward N. Zalta (ed.). []
  22. CSX Transportation v. McBride, 131 S. Ct. 2630, 2646 (2011). []
  23. Babbitt v. Sweet Home Chapter, Communities for Great Ore., 515 US 687, 712-13 (1995) (O’Connor concurrence). []
  24. Khurana v. Innovative Health Care Systems, Inc., 130 F. 3d 143, 148-49 (5th Cir. 1997). See also Benner v. Bell, supra at 899, noting policy questions underlying proximate causation include “reasonable foreseeability of injury, likelihood of injury, magnitude of burden of guarding against it, and consequences of placing that burden on defendant.” []
  25. Steven Shavell, “Causation and Tort Liability “. []
  26. Union Pump Co. v. Allbritton, 898 SW 2d 773, 775-76 (Texas 1995). []
  27. See Frederick Schauer, Free Speech on Tuesdays, Virginia Public Law and Legal Theory Research Paper No. 2014-10 (January 10, 2014). Schauer takes on the question of what it means to say a right “exists” and examines the way we talk about—and specify—rights. Noting that “there is no remark without remarkability,” Schauer writes that, “although it is thus true that there is in fact a right to free speech on Tuesdays, it would be odd for someone to say that there is a right to free speech on Tuesdays. And that is because to say that there is a right to free speech on Tuesdays implies that there is something different or special about free speech on Tuesdays as compared to some background or baseline understand.” Similarly, to say that causation requires volitional conduct is both technically true but implicitly “remarkable.” []
  28. See, for example, Capitol Records, LLC v. ReDigi, Inc., 934 F. Supp. 2d 640, 657 (SDNY 2013), “While that process is itself automated, absolving ReDigi of direct liability on that ground alone would be a distinction without a difference. The fact that ReDigi’s founders programmed their software to choose copyrighted content satisfies the volitional conduct requirement and renders ReDigi’s case indistinguishable from those where human review of content gave rise to direct liability.” []
  29. Though the court in Columbia Pictures Indus. v. Redd Horne, Inc., 568 F. Supp. 494 (WD Pennsylvania 1983), aff’d 749 F. 2d 154 (3rd Cir. 1984), was interpreting the definition of a “place open to the public”, it spoke to this distinction as well. In holding that performances in private viewing booths in a public video store were within the scope of a copyright owner’s exclusive rights, the court noted that “the potential exists for a substantial portion of the public to attend such performances over a period of time.” Id. at 500. []
  30. See, for example, In Re Cellco, 663 F. Supp. 2d 363, 377 (SDNY 2009), “Once the customer has downloaded the ringtone onto her telephone, she controls the telephone and makes the decisions that determine whether that ringtone will be triggered by an incoming call signal”; Perfect 10 v Cybernet, 213 F. Supp. 2d 1146, 1168-69 (CD Cali 2002), “Based on the evidence before the Court it appears that Cybernet does not use its hardware to either store the infringing images or move them from one location to another for display. This technical separation between its facilities and those of its webmasters prevents Cybernet from engaging in reproduction or distribution, and makes it doubtful that Cybernet publicly displays the works”; Universal City Studios v. Sony Corp, 480 F. Supp. 429 (CD Cali 1979), “The copying occurs not in a store operated and managed by the defendants but rather in a person’s home, a location in which individual privacy is constitutionally protected and over which defendants have no control.” []
  31. See, for example, Disney v. Hotfile, 798 F. Supp. 2d 1303, 1307 (SD Fla. 2011), “[N]othing in the complaint alleges that Hotfile … took direct, volitional steps to violate the plaintiffs’ infringement. There are no allegations, say, that Hotfile uploaded copyrighted material.” []
  32. 749 F.2d 154 (3rd Cir). []
  33. Perfect 10 v. Giganews, CV11-07098 AHM (SHx) (CD Cali, March 8, 2013); Parker v. Google, 422 F. Supp. 2d 492 (ED Pa. 2006); Ellison v. Robertson, 357 F. 3d 1072 (9th Cir. 2004); ALS Scan v. Remarq Communities, 239 F. 3d 619 (4th Cir. 2001). []
  34. Perfect 10 v. Megaupload, 2011 WL 3203117 (S.D. Cal.). []
  35. See, e.g., Sony, supra. []
  36. Morton White, Causation in the Law by H. L. A. Hart; A. M. Honoré Review, 60 Columbia Law Review 1058, 1059 (1960). []
  37. See In re Cellco, supra.; Cybernet, supra.; Sony, supra. []
  38. E.g., Leonard v. Stemtech Health Sciences, Inc., CV 08-67-LPS-CJB, 2013 WL 5288266 (D. Del. Sept. 19, 2013), though infringing photo was copied onto a website defendant owned, hosted, and directly profited from, the photo was copied by independent distributor onto an area of the website the defendant did not control. []
  39. Union Pump Co. v. Allbritton, 898 SW 2d 773, 775-76 (Texas 1995). []
  40. Federal Civil Jury Instructions of the Seventh Circuit (2009). []
  41. SOS, Inc. v. Payday, Inc., 886 F. 2d 1081, 1085 n.3 (9th Cir. 1989); Playboy Enterprises, Inc. v. Webbworld, Inc., 991 F. Supp. 543, 550-51 (ND Tx 1997), “‘Copying’ is a judicial shorthand for the infringement of any of a copyright owner’s exclusive rights.” []
  42. See House Report No. 94-1476 (1976), “Under the definitions of “perform,” “display,” “publicly,” and “transmit” in section 101, the concepts of public performance and public display cover not only the initial rendition or showing, but also any further act by which that rendition or showing is transmitted or communicated to the public. Thus, for example: a singer is performing when he or she sings a song; a broadcasting network is performing when it transmits his or her performance (whether simultaneously or from records); a local broadcaster is performing when it transmits the network broadcast; a cable television system is performing when it retransmits the broadcast to its subscribers; and any individual is performing whenever he or she plays a phonorecord embodying the performance or communicates the performance by turning on a receiving set.” []
  43. See also Giganews: “Plaintiff ‘s allegations regarding Defendants’ knowledge of the pirated content on its servers do not salvage Plaintiff’s direct infringement claim. As the Netcom court pointed out, “knowledge” is not a required element of direct infringement (although it is a required element for contributory infringement).” []

Why a Loss for Aereo Wouldn’t Threaten Cloud Services — Todd Spangler at Variety has a great post responding to the doomsday scenarios Aereo supporters have been employing as The Supreme Court prepares to hear arguments in the case. “A Supreme Court finding that Aereo violates provisions of the Copyright Act narrowly tailored to this case won’t kill Dropbox, Apple iCloud, Google Drive, Box, Microsoft OneDrive or Amazon Cloud Drive. Those services aren’t jury-rigged to pull in content from third-party sources without permission. And they’re already protected from liability for copyrighted material illegally uploaded to their services under the Digital Millennium Copyright Act. Cablevision, as noted, already has content rights.”

Alexander on Property’s Ends — A thought-provoking scholarly article that argues property’s ultimate end is human flourishing. This is contrary to the views of many copyright skeptics, who suggest that the fact that copyright has a purpose beyond private gain somehow distinguishes intellectual property from property in general.

USTR Froman: ‘We Have Had Over 1,200 Meetings With Congress On TPP’ — At a House Ways and Means Committee hearing this week US Trade Representative Froman discussed the Trans-Pacific Partnership, currently being negotiated between a dozen countries. As with all US Free Trade Agreements, the TPP sets standards for IP protection, of which Froman said, “The United States is an innovative economy, and the Obama Administration is committed to protecting intellectual property (IP), which is vital to promoting and encouraging innovation and creativity… Millions of American jobs rely on IP, and we will continue to use our trade agenda in 2014 to defend the IP rights of our creators and innovators while supporting the freedom of the Internet, encouraging the free flow of information across the digital world, and ensuring access to medicines, particularly by the poor in less developed economies.”

Baude on Federalism — The best only good April Fool’s joke this week. “The most natural question to ask about zombies and constitutional law is whether zombies are persons within the meaning of the Constitution. But that question turns out to be remarkably difficult. The word “person” appears repeatedly throughout the Constitution, but without any clues about whether it extends to zombies. What’s the best constitutional solution to this problem? Zombie Federalism. The Constitution does not resolve the question of zombie personhood, so we should understand it to leave that question to state law.”

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