“I’m totally against piracy. It’s makes it very difficult for micro-budget filmmakers to make a living.” — Eduardo Sánchez, drector Blair Witch Project and Lovely Molly.

IMAGiNE Member Pleads Guilty to Criminal Copyright Infringement — One of the four members of the BitTorrent group plead guilty as part of a plea bargain to one count of conspiracy to commit criminal copyright infringement. The four members are alleged to have reproduced and distributed “tens of thousands of illegal copies of copyrighted works.” Still awaiting statements in support of this case from the EFF and Public Knowledge. In 2002, EFF attorney Fred von Lohmann (now senior copyright counsel at Google), said “a few targeted lawsuits [against P2P pirates] would get the message across.” Also that year, Public Knowledge president Gigi Sohn testified to Congress that “An industry-initiated lawsuit against a large-scale infringer could also have the benefit of serving as a deterrent to other bad actors. As we have seen in other contexts, specifically targeted lawsuits and other legal action can have a deterrent effect, and also educate the public as to what is legal.”

A context for innovation — Faza says: “As it happens, we live in an age of fascination with the internet and computers in general. Almost anything to do with the internet is subject to ‘gosh, wow’ media coverage, governments worldwide are hell-bent on fostering ‘digital development’ and there’s a whole lot of money to be made from the unlikeliest of activities. It is therefore unsurprising that innovators are drawn to this sphere, given how it looks like anything with the words ‘social’ or ‘cloud’ guarantees instant funding, media-swooning and dinners at the White House (okay, maybe not that last bit, unless you’ve already made a shedload of money). That these innovations may not actually improve anybody’s life very much (with the exception of the founders and the VCs that back them) tends to escape notice.”

The Human Rights of Artists — Important article from Chris Castle over at The Trichordist. Castle examines the undermining of artists’ human rights by tech companies and their soft lobbyists and the failure of governments to protect these rights.

In Plain English: Cambridge University Press v. Brecker — Copyright Alliance legal intern Joan Blazich explains this week’s court opinion in the lawsuit between major academic publishers and Georgia State University over the college’s e-reverse system. A great introduction to the decision.

“Say It Ain’t So, Joe, Again, and Again, and Again …”: A Legacy of Continued Bad Behavior at Google — Eric Clemons lays out the case against Google’s current governance structure. “In fairness, no one could be trusted or should be trusted with so much power. We did not trust AT&T with this much power in 1913 when it controlled the vital telecommunications industry in the United States. And we cannot today trust Google to be the arbiter of its own behavior when it controls so much of our access to the Internet. “

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No sympathy for the creative class — There is a lot of overlap between debate over copyright issues and debate about art and culture itself, especially the existence of a professional creative class within a society. This is an interesting article from Salon by Scott Timberg that explores the latter. Says Timberg, “Our image of the creative class comes from a strange mix of sources, among them faux-populist politics, changing values, technological rewiring, and the media’s relationship to culture – as well as good old-fashioned American anti-intellectualism.”

IMAGiNE BitTorrent Piracy Group Indicted, Face Years In Prison — Following an investigation by ICE, four US individuals have been indicted for allegedly being part of a piracy group. All four are scheduled to be arraigned May 9.

GEMA v YouTube continued — Last week, a German court found YouTube liable for infringement by its users. Monika at the 1709 Blog offers some thoughts on the decision. “ I fully agree that the services mentioned might not have been developed if they had had to comply with the standards set by the Hamburg judges in GEMA v YouTube. However, I am pretty sure many industries would never have developed if they had had to comply with today’s health and safety standards, but that does not necessarily mean that current health and safety standards should be abolished.”

Google Says “It’s Our Web”–and they bought it fair and square — Google has already spent $5 million lobbying this year. What does this mean for creators, and what does this mean for the future of the web? Chris Castle takes a look at these questions.

A Sergey update: we misunderstood him — Dominic Young follows up on the Google founder’s interview with the Guardian earlier this month. “In truth, unfair advantages lead to unfair outcomes. Google is a massive and mind-bogglingly rich company, run by some of the most mind-bogglingly rich young scamps in the world, and the largest and most powerful aggregator of content and data ever seen. It has become so by exploiting content created by others. Even if this has by-and-large been done with tacit or “implied” permission, the idea that it doesn’t require permission in law or in reality, has never been true.”

Pirate Politician Says Party ‘Rising as Fast as Nazis’ — Straight from the “you can’t make this stuff up” department.

‘Just Shut Them Down, Man’ — Also from Der Spiegel is this engrossing debate between German pop star Jan Delay and German Pirate Party member Christopher Lauer about copyright. The entire thing is worth a read; I especially like this quote from Delay: “To be honest, I got you on most of the points we’ve discussed so far. I don’t mean to be nasty, but apart from the copyright issue the whole Pirate Party thing is like someone going round saying, ‘Hey! We’re a party that wants free chocolate for everyone.’ A few non-voters might say, ‘Cool! Free chocolate! That’s the sort of politics I can relate to.’ But do you guys really have any solutions? Do you even know what you’re talking about? I believe you when you say you understand computers. But that’s about it.”

A Short History of Intellectual Property’ in Relation to Copyright — Justin Hughes traces the development of the term “intellectual property” in this scholarly paper. Copyright skeptics are quick to embrace a bumper-sticker version of history to make any point, such as the idea that this term is relatively recent. But as Hughes discovers, the truth is far more nuanced. An interesting read.

How Not To  Fix Copyright – My Response to William Patry — Here’s a great piece on William Patry’s latest book. William Patry offers a response in the comments.

Halestorm — Finally, I want to send some Pennsylvania love to an area band. Halestorm dropped their latest album earlier this month. If you like modern rock with a touch of glam, fronted by a fiery female singer, check them out. Their tune “Here’s to Us” was featured on an episode of Glee earlier this year. Go PA!

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Free speech shouldn’t be a shield for online thieves — Mike McCurry and Mark McKinnon, co-chairmen of Arts+Labs, pen this must read editorial about free speech and copyright. “We are not lukewarm First Amendment advocates. One of us went to jail to protect freedom of the press and the other routinely had to defend this freedom to belligerent skeptics on the White House staff.  But we believe it is a misuse of the First Amendment to shield rogue websites whose main purpose is distributing illegal copies of intellectual property.”

Chamber leads push for copyright enforcement bill — The US Chamber of Commerce spearheaded a coalition of 359 businesses and organizations in support of rogue sites legislation, sending a letter to US Congress members on Thursday. In other news, Sen. Ron Wyden continues his curious remarks that this bill will damage “innovation.”

Free as in speech… — Rob Levine points to a recent interview he did with Scottish novelist Ewan Morrison where he discusses some of the interesting political questions surrounding copyright, technology, and free culture. He highlights some of the “intellectual inconsistencies” in copyright critics’ positions — he only scratches the surface though, as you can easily find other examples of these types of inconsistencies.

Portland, Oregon Reports Jobs Boost — Portland is currently home to several television and film productions, including one of my faves, TNT’s Leverage. Portland mayor Sam Adams recently published a letter to local residents detailing the economic impact filming has on the city: for example, “In 2009, the Portland metropolitan region alone saw $52 million in direct spending through local film productions, totaling a $102 million economic impact for the year.”

95% of BitTorrent files infringe copyrights according to AFACT — A new report from the Australian Federation Against Copyright Theft is consistent with other reports in showing that nearly all BitTorrent files are unauthorized copies of films, television shows, and music.

File-sharing protest bomb threat video lands teenager in court — An 18 year-old New Zealander finds himself in trouble with the law after his threats in connection with the country’s recent graduated response legislation. Talk about your disproportionate responses.

Policing the digital storage landscape — Should provisions to address the rampant infringement taking place on cyberlockers be added to rogue sites legislation currently being considered by Congress? Content providers and the US Copyright Office think so.

Copyright terrm success for artists and record companies — Dominic McGonigal explains the EU’s recent directive to increase the term of copyright protection on sound recordings from 50 to 70 years. “Without this change, [thousands of] musicians were facing reducing royalties each year as recordings go out of copyright. For record companies, this potentially increases the value of their back catalogue, allowing more investment in new artists.”

Call for papers: 2012 Cardozo Arts & Entertainment Law Journal Symposium — The working title of the symposium is “Examining and Overcoming Enforcement Issues in Copyright Law”: “The Symposium is an opportunity for academics, practitioners, consultants, and students to exchange ideas related to the protection of intellectual property in the Digital Age, from the perspective of enforcement, as well as self-policing and cooperative agreements. Topics might include examinations of the PROTECT IP Act of 2011, the America Invents Act, Content ID and similar technologies, and the recent cooperative agreement between ISPs and content owners.”

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If the public desire a really free press, they must not look to it as a source of taxation; and if they are anxious for truth, for elevated and elevating sentiments, for ideas matured by study and reflection, and an honest exposition of grievances, they must recognise original articles as property, and secure them against a plundering appropriation by a copyright.1

Free Ride — Robert Levine, author of Free Ride, has a companion blog where he discusses issues and themes covered in his book (UK edition out now, US edition coming October 25th).

Book Review: “Free Ride: How Digital Parasites Are Destroying the Culture Business and How the Culture Business Can Fight Back” by Robert Levine — Speaking of Free Ride, Chris Castle has posted an excellent review of the book. “Levine has written a book that is a must read for all policy makers and indeed all professional creators.”

The Wait For Kirtsaeng Is Over: The 2d Circuit Holds, Consistent With The 9th Circuit’s Opinion In Omega v. Costco, That The First Sale Doctrine Applies Only To Goods Manufactured In This Country — Last week, I highlighted Andrew Berger’s article on several post-Costco cases pending in the 2nd Circuit. This week, the Circuit ruled on one of them, holding that the Copyright Act prohibits the importation of so-called “grey market goods.” Berger again provides an excellent analysis of the decision and considers its implications on the remaining 2nd Circuit cases dealing with similar issues.

German Court: No bonus for dubbing actor if film becomes blockbuster Interesting case from Germany, with analysis from Future of Copyright’s Peter van der Veen. The country has a provision in its copyright law that allows an author to ask for modification of his original contract if a work becomes a “blockbuster” and the original compensation was strikingly disproportionate to what the work went on to earn. The “dubbing actor” who replaced Johnny Depp’s voice in the German language version of Pirate’s of the Caribbean sought such relief, but the court denied his claim, noting that “the dubbing actor’s actual contribution is of merely ancillary importance to the film.”

How intellectual must intellectual property be? The Language Log notes the irony of using the term “intellectual” to describe Kim Kardashian’s rights in her persona (currently the subject of a lawsuit against Old Navy, who used a “lookalike” of Kardashian in TV ads).

Taking Back Song Copyrights — A recent NY Times article has brought attention to the looming battle over termination rights in sound recordings. JETLaw takes a look at some of the issues involved.

Large ISPs Profit From BitTorrent Traffic, Study Finds — TorrentFreak reports on a recently released study that looked at 500,000 internet users in 169 countries over a 2 year period. “Aside from showing that BitTorrent users download more and more data, the report also finds that large ISPs including Comcast are actually making money off BitTorrent traffic.”

Netflix vs. Blockbuster: What’s the best service for streaming and DVDs? — CNet compares the streaming and DVD offerings of the two services. It also looks at several other services offering TV and movies, including Hulu Plus, Amazon Prime, Vudu, iTunes, and CinemaNow.

“Copywritten” — The grammar of copyright

Two weeks ago, I linked to Jonathan Bailey’s piece on The Grammar of Copyright. One of the most common errors is using “write” instead of “right.” How common is this mistake? Even federal judges get it wrong sometimes:

It is enough to make out infringement — assuming actual copying — if the alleged infringing work is “substantially similar” to the protectible expression in the copywritten work.

Matthews v. Freedman, 157 F. 3d 25, 27 (1st Cir. 1998).

This section states in pertinent part that a non-profit library (such as that operated by EPPI) is free to rent, lease, or lend copywritten material without authority of the copyright owner, so long as the library owns a lawfully made copy of such material.

Zuk v. Eppi of the Medical College of Pennsylvania, 103 F.3d 294, 300 n.5 (3rd Cir. 1996).

Under such logic, any use of copywritten work would be “fair” as long as that use did not result in the copywritten work’s unauthorized reproduction by anyone other than the putative infringer.

Software Freedom Conservancy v. Westinghouse Digital Electronics, Opinion and Order, No. 09 Civ. 10155 (SAS) (SDNY Aug 8, 2011).

Lastly, DT’s programming content is protected by copyright. DT produces some original content to which it has the sole copyright, but it also obtains the copyright to provide viewers access to shows copywritten by third parties such as cable networks, movie distributors, and sports leagues.

DirecTV v. Borow, Opinion and Order, No. 03 C 2581 (ND Ill. Jan 3, 2005).

I note, however, that under both the Federal Copyright Act, and under the doctrine of “common law copyright” (to the extent it has any continued bearing here, in view of the extensive preemption of the area accomplished by the 1976 amendments to the Copyright Act), ownership of a copyright is something distinct from ownership of a physical object in which the copywritten work is embodied, so that ownership of one can (and often will) be transferred without transferring ownership of the other.

Nika Corp. v. City of Kansas City, 582 F. Supp. 343, 367 (WD Miss 1983).

Footnotes

  1. Impediments to Knowledge“, The Reasoner, vol 6, pg 264 (1844). []

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I sometimes see the phrase “.torrent = .crime” used online in discussions about enforcing copyright online. It is considered by copyright critics as a dig against efforts to enforce the widespread copyright infringement occurring within the bittorrent ecosystem1 — the idea being that content producers have mistakenly declared torrent technology categorically unlawful.

Most recently, it has popped up in response to the US government’s seizure of domain names as part of Operation in Our Sites. A number of the sites targeted were part of the bittorrent ecosystem, like meta-search engine Torrent Finder. And with the pending appeal of Isohunt in the Ninth Circuit, the meme will likely persist — the torrent search engine’s appellate brief devotes considerable space to rebutting the association between torrents and infringement. Proponents of the meme believe the association is unfair and are quick to point out the many legitimate uses of the bittorrent protocol as evidence.

The snappy soundbite, however, glosses over the distinction between a technology and uses of a technology. It also relies on a fundamentally flawed premise: the fact that there are some legitimate uses of a technology does not make all uses of that technology legitimate. And within the general bittorrent ecosystem, there are a lot of illegitimate uses of the technology — so much so that the association between “torrent” and “crime” is not entirely unfair.

The Supreme Court, through its decisions in Sony Corp of America v. Universal City Studios, 464 US 417, and MGM v. Grokster, 545 US 913, maintained what is really a common sense distinction between technology and uses of that technology. Simply put, you can’t be liable simply for making something that can be used for copyright infringement, but you can be liable if you intend or encourage infringing uses.

Put another way, while direct infringement is a strict liability tort, meaning the intent of an infringer is irrelevant, secondary liability requires some form of culpability. Grokster reads Sony as saying you can’t impute this intent based solely on the characteristics of a device. But the rule in Sony doesn’t mean a manufacturer or service is completely precluded from liability if it satisfies the Sony safe harbor — a manufacturer or service provider can still be liable if it is found to be culpable in other ways, including whether it induced infringement.

The Supreme Court in Grokster noted three features of the evidence of intent that most showed culpability. Satisfying a known source of demand for copyright infringement, no attempt to filter or develop mechanisms for diminishing infringing activities, and selling advertising based on high-volume use — revenues increase the more people use it, and the overwhelming amount of people use it for infringing purposes. Any one of these alone is not enough to show culpability, but taken together, the intent to encourage infringement is, in the words of the Court, “unmistakeable.”

The torrent ecosystem facilitates piracy — not by design, but by use.

I’m talking about just the torrent ecosystem here — the trackers, hosts, and search engines that do little if anything to ensure their services are not used to aid in distributing unauthorized content. BitTorrent as a protocol is in no way a problem. Facebook, Twitter, and other large-scale systems use the BitTorrent protocol to distribute software updates to their servers; the same is true of gaming companies like Blizzard Entertainment, makers of Worlds of Warcraft. Many Linux distros are promulgated via bittorrent. The technology offers several advantages over other methods of distributing large amounts of data.

But outside these specific uses is a world of public torrent hosts that allow anyone to upload torrent files of any type of content, no questions asked, and search engines that can help users locate whatever they want. And it is here where, any way you look at it, “.torrent” actually does equal “.crime”. The overwhelming majority of what is being distributed in the general bittorrent ecosystem is infringing.

How overwhelming? According to the available research, anywhere from 90-99% of files available in the torrent ecosystem are infringing.2 A study released January 2011 discovered only 1 legitimately offered file in the top 10,000 torrents offered by one of the largest public bittorrent trackers.

In the face of such overwhelming infringement, it’s absurd to think you can design a site or service that facilitates access to this universe of material, without any attempt at filtering or mitigating infringement, and escape liability. The fact that there are some legitimate uses for the technology does not mean that all uses of the technology are legitimate. Search engines, trackers, and torrent hosts exist for verified and authorized content. But that fact doesn’t save the general and open-for-all torrent sites; neither does the fact that the protocol is used by large-scale systems for distributing software updates. It’s not like Facebook and Twitter are going to Torrent Finder to find new patches.

The distinction between legitimate and illegitimate uses of bittorrent is a distinction between services where the use of the protocol is secondary to the service and the ability to pirate through the service is diminished and minimized, and services that tap into the general bittorrent ecosystem. The latter services may claim to have legitimate uses, but these claims are drowned out by the evidence.

The business model of these sites depends on popular — ie, copyrighted — content. It’s the major draw: Torrent Finder wasn’t making $15,000 a year advertising to people looking for the latest Linux distros or searching for unsigned bands. Isohunt’s Gary Fung admitted as much during the course of that litigation.3 Courts looking at nearly every other major file-sharing service that has found itself subject to a lawsuit have come to the same conclusion: ”While there is doubtless some demand for free Shakespeare,” said the Supreme Court in Grokster, ”the evidence shows that substantive volume is a function of free access to copyrighted work.”4

Sites that have gone legit have discovered just how true this is. Search engine YouTorrent reported that it lost over half its traffic when it stopped indexing files from sites like PirateBay and only returned verified authorized and open-license results.

Some torrent site operators have adopted a “would if they could” attitude toward copyright infringement: they’d like to stop it, but it’s impossible to know what files are authorized and which are not. This argument doesn’t hold up against the significant percentage of infringing files available.

Some theories of secondary liability, like contributory infringement, require that the secondary party has some knowledge of the underlying misconduct, with the caveat that the secondary party cannot escape liability by being “willfully blind.” You can’t, like an ostrich with his head in the sand, deliberately ignore bad behavior and expect to stay out of trouble. While the question of willful blindness can often be a tough one to answer, courts haven’t had trouble in cases of file-sharing services. With such a high percentage of infringing files present on all these services — 89%, 95%, 99% — you can’t claim ignorance of infringement.

Anyone who bristles at the association of bittorrent with copyright infringement has to admit, if honest, that within the general bittorrent ecosystem, torrents have largely become synonymous with distributing unauthorized content. The technology itself is neutral, it can be put to legitimate or illegitimate uses, but any service wanting to become a component part of the unregulated, open, and public torrent universe has a high burden for establishing legitimacy.

 

Footnotes

  1. The bittorrent “ecosystem” describes the multitude of independent components — from torrent file hosts, to torrent search engines and meta search engines, to trackers — that together make the bittorrent protocol work. []
  2. Robert Layton & Paul Watters, Investigation into the extent of infringing content on BitTorrent networks, Internet Commerce Security Laboratory (2010), confirms 89% of all torrents in sample infringing; Sauhard Sahi & Ed Felten, Census of files available via BitTorrent, (2010), concluded 99% of files likely infringing; Columbia Pictures v. Fung, Order granting Plaintiffs’ motion for summary judgment on liability (2009), evidence showed approximately 95% of files available on defendant’s torrent search engines infringing. []
  3. Columbia Pictures v. Fung, p. 34. []
  4. 545 US at 926. []

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