By , August 06, 2021.

Manhattan judge rejects ‘server test’ for internet copyright infringement — “In Friday’s opinion, Rakoff said the server rule is ‘contrary to the text and legislative history of the Copyright Act,’ which ‘defines “to display” as “to show a copy of” a work, not “to make and then show a copy of the copyrighted work.”‘ Rakoff said that under the test, ‘a photographer who promotes his work on Instagram or a filmmaker who posts her short film on YouTube surrenders control over how, when, and by whom their work is subsequently shown — reducing the display right, effectively, to the limited right of first publication that the [Act] rejects.'” Read the opinion here.

YouTube Rippers Shut Down in US & UK After Giving Up Legal Fight — “YouTube rippers FLVTO.biz and 2conv.com have closed their doors to visitors from the US and UK. The services are ‘permanently unavailable’ according to a message posted on the sites. This drastic decision follows shortly after their operator backed out of the legal battle against several record labels, which now hope to get a default judgment in US court.”

[Podcast] Formalities in U.S. Copyright with Steven Tepp — A delighfully wonky look at copyright formalities—notice, registration, and deposit—with copyright expert Tepp. The only downside with this podcast is that it was recorded just days before the D.C. District Court issued a decision in Valancourt Books v. Perlmutter, rejecting a Constitutional challenge to the Copyright Act’s mandatory deposit requirement, so we missed out on a discussion of that case.

In Copyright Case, Judge Evaluates Use of 9/11 Footage in 16 Films — Eriq Gardner breaks down a hefty Southern District of New York decision concerning the fair use of copyrighted clips by multiple film producers. Gardner notes, “What makes this 88-page summary judgment opinion especially fascinating is how the judge, when evaluating both famous films and obscure ones, comes to differing conclusions.”

British authors warn of a potential devastating impact on the publishing sector if the UK changes its exhaustion regime — Emmanuel Legrand reports, “The letter was signed by such authors as Kazuo Ishiguro, Carol Ann Duffy, Hilary Mantel, Sara Sheridan, and Philip Pullman, among others. The letter reads: ‘UK currently has strong copyright laws which enable creators to be fairly compensated for their work and the UK to export more books than any other country in the world. Weakening the UK’s copyright laws would impair our ability to earn an income which would have a devastating impact on this country’s vibrant, world-renowned book industry. If writing becomes a profession only accessible to the wealthy, important stories will not be told.'”

By , November 04, 2011.

Return of the AmeriKat I: Berne takes a bite out of the US Constitution — The Supreme Court’s opinion in Golan v. Holder, which was argued last month, likely won’t be out for several months. In the meantime, IPKat offers a substantial look at the background and issues raised in the case.

Where are all those mashers and mixers we keep hearing about? — One of the central tenets of some “copyfighters” is that remixing and mashing up somehow represents the new paradigm of culture, replacing “traditional” notions of authorship. The takeaway being that corporations like Google should be given free reign to profit off the aggregation of such remixes and mashups without any regard to the original creators. John Degen points to a recent study that reveals that, contrary to this tenet, only 12% of the respondents said they engage in remixing.

Public Safety Community Overwhelmingly Supports Rogue Sites Legislation — The Fraternal Order of Police and the International Association of Fire Fighters join an array of public safety organizations backing legislation aimed at online copyright infringement and counterfeit goods. Counterfeit safety equipment is a very real public safety issue.

Copyright Small Claims? — The US Copyright Office has recently begun seeking comments on possible remedies for small copyright claims. Attorney David Lizerbram takes a deeper look at the issue.

Does Culture Really Want to be Free? — Salon sits down with Robert Levine to discuss many of the issues he raises in his new book Free Ride. Full of choice quotes like this one: “I don’t think anyone is going to go to hell for downloading ‘Iron Man 2.’ But saying you have the right to download it is also pretty silly.”

5 Steps to Understanding Bill C-11 and “Digital Locks” — As Canada moves toward reforming its copyright law, concern has been raised over provisions dealing with technological protection measures. James Gannon explains what these provisions do and why they are needed.

The Entire $1.65B Acquisition of YouTube Took a Week, Was Negotiated at Denny’s — “Schmidt basically promised the founders unlimited resources in return for an “infinite amount of happy users” and an “infinite amount” of good content.” (Sadly, Schmidt could only promise a finite amount of Moons Over My Hammy.)

More Than Just a Formality: Instant Authorship and Copyright’s Opt-Out Future in the Digital Age — UCLA law student and friend of the site Brad Greenberg penned this forthcoming law review article about proposals to bring back copyright formalities in the digital age. Ultimately, he concludes that “returning to an opt-in copyright system via formalities would actually disincentivize authors who are presently motivated by copyright.”