The record label is dead: long live the record label — Despite over a decade of predictions of its imminent demise, the record label still plays a vital role. As Francis Moore of the IFPI points out, from the group’s latest study, record labels worldwide invested $4.5 billion last year developing and promoting recording artists, and over 70% of unsigned musicians want to be signed to a label.

With new channel investments, YouTube becomes even more like TV — Last year, YouTube invested $100 million toward original content for its site. This week, it announced it will only continue to fund 30-40% of those channels, according to GigaOm, making its renewal rate strikingly close to that of broadcast TV.

The Real McCoy: Should Intellectual Property Rights be the New Civil Rights in America? — That’s the question Raymond Millien asks in this must-read article from IP Watchdog. Also check out part 2.

The Education of Senator Wyden: Don’t break the artists…You can’t get away with the old RIAA Booga Booga Booga or that you’ll make it up on volume — Oregon Senator Ron Wyden gave the keynote address at this week’s Future of Music Coalition Summit. As Chris Castle puts it here, “Senator Wyden’s speech writers wrote a speech for him to give in 1999. It does not play in 2012.”

Radio-active: Internet Broadcasting and Artist Compensation [VIDEO] — Also from the FOMC Summit, video of the panel discussion on the Internet Radio Fairness Act, featuring Kurt Hanson of AccuRadio.com, David Lowery of University of Georgia/Cracker/Camper Van Beethoven, Michael Petricone of the Consumer Electronics Association, Patricia Polach of the American Federation of Musicians, and Colin Rushing of SoundExchange.

A Musician’s Perspective on Pandora [PDF] — The ad appearing in Billboard Magazine this weekend, signed by 125 artists. The range of artists represented on the list is notable; many different genres and a mix of newer and more established musicians. Says the ad, “Let’s work this out as partners and continue to bring fans the great musical experience they rightly expect.”

How to avoid accidental dealings with pirates — David Hahn, writing at iMediaConnection, provides three suggestions for helping brands avoid providing revenue to illicit sites. Hahn notes, “As RTB continues to grow and scale, it’s increasingly difficult to appeal to a brand’s goodwill alone to stop appearing on torrent sites. It’s more than likely that these brand marketers have no idea their ads are supporting these sites, and they’re probably horrified when they learn of the placements.”

Why Doesn’t MTV Play Music Videos Anymore? [VIDEO] — From sketch comedy duo Brian and Maria comes this (slightly NSFW because of language) funny video explaining the lack of music on MTV.

Google’s Serial Obfuscation: Music Canada, BPI, Billboard Question Whether Google Has Really Lowered Pirate Sites Search Rankings — The Trichordist sees little evidence that search rankings for illegitimate sites have dropped since Google announced in August tweaks to its algorithm to lower the rank of sites receiving large numbers of takedown notices.

Copyright and Technology 2012 Conference — December 5th in New York City is the annual Copyright and Technology Conference. Featuring a keynote speech by Rob Levine and panel discussions on both technology and law and policy. Registration is currently open. Be sure to also check out David Newhoff’s podcast interview with conference chair Bill Rosenblatt.

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Free speech shouldn’t be a shield for online thieves — Mike McCurry and Mark McKinnon, co-chairmen of Arts+Labs, pen this must read editorial about free speech and copyright. “We are not lukewarm First Amendment advocates. One of us went to jail to protect freedom of the press and the other routinely had to defend this freedom to belligerent skeptics on the White House staff.  But we believe it is a misuse of the First Amendment to shield rogue websites whose main purpose is distributing illegal copies of intellectual property.”

Chamber leads push for copyright enforcement bill — The US Chamber of Commerce spearheaded a coalition of 359 businesses and organizations in support of rogue sites legislation, sending a letter to US Congress members on Thursday. In other news, Sen. Ron Wyden continues his curious remarks that this bill will damage “innovation.”

Free as in speech… — Rob Levine points to a recent interview he did with Scottish novelist Ewan Morrison where he discusses some of the interesting political questions surrounding copyright, technology, and free culture. He highlights some of the “intellectual inconsistencies” in copyright critics’ positions — he only scratches the surface though, as you can easily find other examples of these types of inconsistencies.

Portland, Oregon Reports Jobs Boost — Portland is currently home to several television and film productions, including one of my faves, TNT’s Leverage. Portland mayor Sam Adams recently published a letter to local residents detailing the economic impact filming has on the city: for example, “In 2009, the Portland metropolitan region alone saw $52 million in direct spending through local film productions, totaling a $102 million economic impact for the year.”

95% of BitTorrent files infringe copyrights according to AFACT — A new report from the Australian Federation Against Copyright Theft is consistent with other reports in showing that nearly all BitTorrent files are unauthorized copies of films, television shows, and music.

File-sharing protest bomb threat video lands teenager in court — An 18 year-old New Zealander finds himself in trouble with the law after his threats in connection with the country’s recent graduated response legislation. Talk about your disproportionate responses.

Policing the digital storage landscape — Should provisions to address the rampant infringement taking place on cyberlockers be added to rogue sites legislation currently being considered by Congress? Content providers and the US Copyright Office think so.

Copyright terrm success for artists and record companies — Dominic McGonigal explains the EU’s recent directive to increase the term of copyright protection on sound recordings from 50 to 70 years. “Without this change, [thousands of] musicians were facing reducing royalties each year as recordings go out of copyright. For record companies, this potentially increases the value of their back catalogue, allowing more investment in new artists.”

Call for papers: 2012 Cardozo Arts & Entertainment Law Journal Symposium — The working title of the symposium is “Examining and Overcoming Enforcement Issues in Copyright Law”: “The Symposium is an opportunity for academics, practitioners, consultants, and students to exchange ideas related to the protection of intellectual property in the Digital Age, from the perspective of enforcement, as well as self-policing and cooperative agreements. Topics might include examinations of the PROTECT IP Act of 2011, the America Invents Act, Content ID and similar technologies, and the recent cooperative agreement between ISPs and content owners.”

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Four weeks ago, I began a walk through the proposed Anti-Counterfeiting Trade Agreement, a plurilateral trade agreement currently in negotiations that has sparked a great deal of Fear, Uncertainty, and Doubt (FUD) online. Using the official draft text of the agreement released last April, I laid out each provision of the ACTA and compared it to provisions in US law that corresponded. You can see the previous entries in this series here:

The goal of this exercise was two-fold. First, I have not seen a similar examination of each provision of the ACTA. I have seen concerns that it will result in changes to existing US law. I thought a side-by-side comparison of provisions from both would be helpful in this regard.

More importantly, many of the more wild concerns seem to stem from those who simply did not understand the scope of the agreement nor understood the scope of existing copyright law. If you don’t know what is in the ACTA, it’s easy to buy into the FUD surrounding it. Even if you’ve read through the proposed provisions (either in the officially released draft text that I worked off of or one of the many leaked texts), it’s still easy to accept the scary stories being told if you can’t put it into the context of existing law. In other words, it’s easier to buy into apocalyptic tales that the ACTA will implement radical changes to the law if you aren’t aware that its provisions mirror already existing law.

What general observations can we make after looking at this side-by-side comparison? First, as far as copyright law goes, nothing in the ACTA jumps out that would require changes to US law. Second, the language of the treaty comports with Ambassador Ron Kirk’s responses in his letter to Senator Ron Wyden about concerns with the flexibility of the treaty and its effect on fundamental rights and civil liberties. Few, if any, of the provisions “require” a Party to enforce copyrights in a set way, while recognition of due process and privacy are reiterated in many provisions.

Limitations

This comparison of proposed ACTA provisions with corresponding US copyright law is only that. It does not show what, if any, differences exist between the ACTA and existing patent or trademark law, which will likely be covered under the agreement. It does not show how the laws of any country besides the US compare to the ACTA provisions. It also does not make any judgment about existing US law.

I also at no point implied that “ACTA will change US law” is the only criticism aimed at the proposed agreement. Certainly, as with any proposal of any sort – whether a trade agreement, legislation, policy directive, etc. – criticisms will exist. Indeed, one criticism is that it is too much like US law; the ACTA is an attempt by the US to “export” its framework of copyright law to other nations. Critics also label those negotiating the treaty as engaged in “policy laundering.” There are concerns that the treaty will “lock in” certain aspects of copyright law that should remain flexible to respond to rapidly changing technologies. You can find plenty of sites exploring these criticisms, so I’ll refrain from saying anything more about them, but I did want to take a quick look at one of the most common criticisms about the ACTA: the lack of transparency in the negotiating process.

Transparency

A bit about “transparency.” One of the biggest complaints about the agreement have concerned a supposed lack of transparency over the negotiating process. The proposed treaty is nearly always characterized as “secret.” It’s difficult seeing how this charge of “secrecy” holds up; the United States Trade Representative has an entire page devoted to the ACTA, with various documents available, including the draft text of the treaty that I have been working off of during this series of articles. As several commentators have pointed out, the USTR has made other information available to those outside the negotiating process – subject to a rather standard nondisclosure agreement – including Public Knowledge, Google, and the Center for Democracy and Technology.

Placing aside the hyperbolic criticism of the treaty’s “secrecy,” the question remains whether the negotiating process is sufficiently “transparent.” We accept that transparency plays an important role in democratic institutions. Noted philosopher and “patriarch of utilitarianism” Jeremy Bentham wrote, “Publicity should help constrain the members of the assembly to perform their duty; secure the confidence of the people; enable the assembly and the governors to know the wishes of the governed; enable the electors to act from knowledge; and generate the amusement that by itself increases the happiness of the people.”1 We want to know the language of bills introduced in Congress, how our representatives have voted in the past, how our tax dollars are being spent; knowing these things helps us on election day and keeps government officials in line.

Treaty negotiations, however, are a different kind of creature then the types of political transactions Bentham is referring to and what we generally want information about. Indeed, it has long been customary for trade negotiators to refrain from disclosing every proposal or early draft to the public, and the ACTA negotiators have simply acted in the same fashion. When you’re negotiating complex issues among a diverse group of parties, confidentiality allows a more free exchange of ideas and facilitates negotiation and compromise. The Founding Fathers recognized these benefits when they chose to draft the Constitution in private.

The “wrong” kind of transparency during treaty negotiations can be more detrimental than beneficial. Insisting on keeping the doors open at every stage of the process accomplishes little more than crippling the process. Those who are opposed to the entire process insist on this kind of transparency as a tactic – they want the negotiation process to fail. As stated above, the transparency of the ACTA negotiations is on par with other agreements; the draft text and other documents are publicly available. I doubt any level of transparency will satisfy the “secret treaty” critics, and I doubt any will say when negotiations are finished, “Well, I agree with the goals and provisions of the treaty, I just wish you would have kept us more in the loop.”

Footnotes

  1. “Of Publicity,” Public Culture (1791/1994). []

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