Responding to Piracy: What the evidence shows — In previous installments, the authors of this post looked at “available academic evidence on whether piracy harms media sales, and whether this harm leads to reductions in the supply of creative works,” finding that “most all the studies on the first question conclude that piracy does have an adverse effect on sales, and there is also evidence of an adverse effect on the supply of new works.” Here, they look at research that considers what can be done to shift consumers from illegal content to legal content, focusing on two strategies: making legal content easier to access, and making pirated content harder and more costly to access.

Facebook Signs Deals With Media Companies, Celebrities for Facebook Live — One does not live on user-generated content alone. The Wall Street Journal reports that Facebook has entered into over 100 contracts with media companies and individuals totaling over $50m to provide video content for their Facebook Live platform. See also YouTube Red buys its first big TV series.

To Fee or Not to Fee: Kirtsaeng v John Wiley & Sons — I have a post at CaseText discussing last week’s Supreme Court decision in Kirtsaeng II, which held that courts should focus on the objective reasonableness of parties’ litigation positions but consider all other relevant factors when determining whether to award attorney’s fees.

Taylor Swift, Paul McCartney Among 180 Artists Signing Petition For Digital Copyright Reform — Rob Levine reports on a letter published this week, signed by 180 recording artists and others, including Taylor Swift, Paul McCartney, and Little Big Town. The letter calls for reform of the DMCA safe harbors.

Who owns the news consumer: Social media platforms or publishers? — The Columbia Journalism Review presents research it has undertaken to see how newsrooms are using social media and online publishing platforms to disseminate news stories. A thorough look at a very dynamic area.

Turow: “The Protection of Copyright Is Deeply Related to the Protection of Creativity” —  Scott Turow: “I suspect that creativity tends to be inspired by the artist’s fantasy that her or his work is destined to find an audience that places value on it. That doesn’t presuppose earning vast riches. The effort a reader makes by going to the library is enough to make most authors feel valued. But the notion that work will be stolen and tossed into the wind defeats the artistic enterprise.”

I’ve decided to start doing a weekly wrap-up of items I’ve found interesting enough to share, a mix of old and new, legal and nonlegal, relating in some way to copyright and the content industries. Enjoy!

Would the Bard Have Survived the Web? — From Authors Guild president Scott Turow, executive director Paul Aiken, and Shakespeare professor James Shapiro comes this fascinating essay comparing the “cultural paywalls” of the outdoor playhouses to the “virtual paywalls” of copyright. It explains how commerce and stable property rights help the arts and entertainment flourish. Predictably, most copyright skeptics completely missed the point of the article.

Senate Judiciary Committee hearing on online piracy and counterfeiting — Scott Turow proves he’s been busy lately, testifying at the Committee’s hearing on a new version of COICA. Representatives of other stakeholders representing the “big 5” players in the internet ecosystem needed to effectively address online piracy — domain name registrars, hosting service providers, payment card processors, internet service providers, and online advertising providers — also testified. Well, four out of the five did at least.

In Defense of Copyright: Creativity, Record Labels, and the Future of Music — via Lon Sobel’s Entertainment Law Reporter, Brian Day looks at the role of copyright and record labels as digital technology continues to dramatically change the music business landscape in this great article from the upcoming issue of Seton Hall Journal of Sports and Entertainment Law.

Good news or bad? CDs still 74% of all album sales — Overall, still not good news for the music industry, as total album sales continue to slump. Still, an interesting statistic. If you spend enough time on hip, young blogs, you start to think the only places selling CDs are antique shops.

The Chicago Code — I checked out this out when it premiered last week because it was created by the Shield’s Shawn Ryan and haven’t been disappointed. Dubbed a “love letter to Chicago“, and shot primarily in the Windy City With Broad Shoulders And Lots of Other Nicknames, the series features great performances and terrific writing. Mondays on Fox, or online at Fox and Hulu.

Ingrid Michaelson — I had the pleasure of seeing the talented Ingrid perform last fall. Earlier this month, she had a dessert recipe in Parade Magazine (it was delicious). This past week, Hypebot presented a look at a promotion experiment that she used to help make her fall tour profitable. Ingrid also premiered a new(er) video for her latest tune, Parachute:

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