By , June 10, 2016.

Stealing Books in the Age of Self-Publishing — The Atlantic reports, “In the world of self-publishing, where anyone can put a document on Amazon and call it a book, many writers are seeing their work being appropriated without their permission. Some books are copied word-for-word while others are tinkered with just enough to make it tough for an automated plagiarism-checker to flag them. (Though the practice is legally considered copyright infringement, the term ‘plagiarism’ is more widely used.) The offending books often stay up for weeks or even months at a time before they’re detected, usually by an astute reader. For the authors, this intrusion goes beyond threatening their livelihood.”

Irving Azoff Calls on Music Industry to ‘Work Together’ in National Music Publishers’ Assn. Keynote — The notable music exec delivered a powerful address at NMPA’s 99th annual meeting this week, concluding, as Billboard reports here, by telling those in the audience that “no matter what role he played in the industry, as a manger, a promoter, a label executive, ‘If you do what’s right by the creator’—whether that’s the artist or songwriter—’it will eventually be right for your company as well.'”

JFK on Poetry, Power, and the Artist’s Role in Society: His Eulogy for Robert Frost, One of the Greatest Speeches of All Time — “If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him. We must never forget that art is not a form of propaganda; it is a form of truth… In free society art is not a weapon and it does not belong to the spheres of polemic and ideology. Artists are not engineers of the soul. It may be different elsewhere. But democratic society — in it, the highest duty of the writer, the composer, the artist is to remain true to himself and to let the chips fall where they may. In serving his vision of the truth, the artist best serves his nation.”

Spoiler alert: Superheroes are regular people — Tom Ortenberg, executive producer of the film Spotlight, writes, “The real-life journalists portrayed in ‘Spotlight’ are superheroes. The filmmakers and crewmembers that made this film possible are superheroes. That is why I consider our film to be its own kind of superhero movie. But it is also a story about a fading segment of our culture: print journalism. Great films about true events can become a part of the historical record. If I have any grand ambitions for ‘Spotlight’ beyond accolades and awards, it’s that this film will preserve for all time the era of investigative journalism that appears to be slipping away in the face of technology that promises quick and easy fixes for virtually everything.”

Don’t Block Geoblocking — “[R]ules that allow copyright holders to charge different prices to different consumers benefit society by encouraging greater distribution at a lower average price overall. A movie studio might charge a higher price in a developed country while charging a lower price in developing countries. Because rich markets are normally less sensitive to price, this practice normally favors poorer consumers. But it can only exist if price discrimination and geoblocking is protected. If consumers are allowed to arbitrage the market, the producer will create less and charge higher prices.”

By , August 31, 2012.

Principles for an Ethical and Sustainable Internet — The Trichordist offers a set of 8 principles for ensuring the internet remains a viable public forum for content creators and consumers alike. “Technology may change but principles do not. A society that encourages the creative spirit is rare in history and worth defending. The internet and digital technology have opened up many new opportunities for artists, but it has also opened up new opportunities for those who wish to exploit those artists.”

The Big Online Rip-Off — Danuta Kean has a comprehensive piece on “the burgeoning power and influence of internet venture capital, and illegal filesharing sites.” Well worth a read, Kean closes with a list of steps that creators can take to counter this power and influence.

The Illusion of More — Be sure to check out filmmaker David Newhoff’s new site, launched this week. Subtitled, “Dissecting the Digital Utopia,” Newhoff already has a number of great articles up. The site promises to be “a response to the promise of the digital age that more would necessarily be better. More content, more information, more access, and more interaction would ultimately produce more freedom, more democracy, more cultural diffusion, more innovation, and so on.  According to some, the evolution of the Internet would ultimately fuse with human evolution itself, allowing us to transcend even our own mortality. To be sure, we seem to have accomplished the more part, but whether it’s all for the better is a question worth asking.”

The Best Book Reviews Money Can Buy — The New York Times profiles the increasing use of paid book reviews in the world of self-publishing. Among those the Times looks at is author John Locke, who used such services to become somewhat of an internet superstar, even parlaying his success into an e-book, “How I Sold One Million E-Books in Five Months.”

Brand banners on pirate sites: whose fault is it anyway? — Adland looks for an answer, inspired by a recent series of posts on the Trichordist pointing out many major brands that show up on display ads for notorious pirate sites — like this recent one showing over a dozen brands advertising alongside unauthorized Neil Young recordings. The list includes Ford, Mini, Target, and even the Boy Scouts. Over at Music Think Tank, Bruce Warila looks at the same series of posts and asks, Are we a community of copyright cowards?

Brian Keene: I write novels, stories, and comic books for money — Lucinda Dugger of the Copyright Alliance profiles comic artist Brian Keene. “Yet, despite the many hours of work for what would seem to many of us like little financial return, Brian continues to write and offer new opportunities to his fans. In fact, he so appreciates his fans, that he wrote a novel, Deluge: The Conqueror Worms II, which he offered for free on his website.”

Average wait time from theater to home video — An interesting graph showing how consistently and dramatically the release windows for films have dropped in the past 14 years. The companion thread on Reddit.

By , March 25, 2011.

There’s an old joke that, after the Bible, Johann Gutenberg’s second book printed was about the demise of the publishing industry.

The future of the book continues to be the subject of a great deal of debate over 500 years later. This week especially, I’ve noted quite a bit of interesting book-related news and articles. Enjoy!

Why I originally self-published my now traditionally published book — Author and playwright Hillary DePiano offers a fascinating and thorough history explaining why she made the jump from successful self-publisher to signing a traditional book deal. Later posts explain what she sees as the disadvantages of self-publishing: Piracy copyright and having to be the bad guy, being your own publisher is a lot of work, and a third yet to be posted.

What about the content? — Almost as though it was planned, this week brought news of one successful “traditional” writer turning down a  publishing deal to self-publish, while a highly successful self-publishing writer announced she was negotiating a “traditional” book deal. Writer Lee Goldberg posts an insightful comment on his site, noting that in much of the discussion about self-publishing vs. traditional publishing, very little is said about the quality of the work. Also worth checking out Lee’s other related posts: Eisler & Hocking and A Peek in Barry’s Brain.

Google Books Settlement rejected — Finally, one of the bigger news items this week was Judge Chin’s rejection of the proposed class action settlement between authors and the tech giant. Publishers Weekly, the Copyright Alliance, and Ars Technica report on the story. Glenn Lammi at the Washington Legal Foundation looks at the Class Action Do’s and Don’ts from the ruling. And MusicTechPolicy’s Chris Castle says, “Score round 1 for the authors.”

And now, some non-book related items:

The Problems With the Fifth Fair Use Factor — Jonathan Bailey at PlagiarismToday takes a look at the role of good faith (i.e., “does the judge like you”) in a couple recent fair use decisions.

Do bad things happen when works fall into the public domain? — The 1709 Blog shares notes from a recent talk by Professor Paul J. Heald, who presented his research on usage of public domain works compared to usage of copyrighted works. Surprisingly, he finds no significant difference between price and availability. See Heald’s publications here.

Island Def Jam opens up their catalogue to the world of apps — IP Osgoode reports on the joining of forces between Island Def Jam, a division of Universal Music Group, and music app developer the EchoNest. App developers will now have access to Island’s entire catalog. Says Jon Vanhala, SVP of digital and business development at Island, “this view that labels are these big companies just clutching onto their rights and not thinking about innovation is just so not true.”

The MP3: A history of innovation and betrayal — NPR’s story of the development of the popular audio file format.