Senate Judiciary Committee report on PROTECT IP, July 22, 2011:
The Committee notes that protecting intellectual property in the form of copyrighted material is not only important to our economy and jobs, but is also important for advancing the goals of the First Amendment. The United States Supreme Court has long held that copyright protection advances the goals of the First Amendment by “supply[ing] the economic incentive to create and disseminate ideas.” The “clause [of the Constitution] empowering Congress to grant patents and copyrights is [based] in the conviction that encouragement of individual effort by personal gain is the best way to advance public welfare through the talents of authors and inventors in ‘Science and useful Arts.'”
Further, Justice Oâ€™Connor wrote that copyright law is the very “engine of free expression.” It exists not to prevent free speech, but to promote it. Justice Oâ€™Connor went on to recall that “freedom of thought and expression ‘includes both the right to speak freely and the right to refrain from speaking at all.'” As rogue Internet sites evade U.S. intellectual property laws, they not only cause economic harm, but they trample on these First Amendment values.
UK Culture Secretary calls for boldness in dealing with online piracyÂ â€” Barry Sookman reports on the speech given by UK Culture Secretary Jeremy Hunt toÂ the Royal Television Society on September 14, 2011. The talk deals broadly with UK communications policy, but does address the problem of unlawfully distributed content online. Just a taste: “John Stuart Mill defined liberty as the freedom to do anything provided it does not impinge on the freedom of others. Unlawfully distributing copyrighted material is theft â€“ and a direct assault on the freedoms and rights of creators of content to be rewarded fairly for their efforts.Â Fundamental to our concept of both freedom and the law is that it should apply to everyone without fear or favour. This means it must apply equally in the virtual world as in the physical world.”
Do it, or weâ€™ll do it for you: Jeremy Hunt and Ed Vaizey stand up for human rights of UK artistsÂ â€” Chris Castle also comments on Hunt’s recent remarks, paying specific attention to the relationship between Google and Prime Minister David Cameron.
Study: 92% of music fans still prefer ownershipÂ â€” Digital Music News highlights a recent study by eMusic, administered by Insight Research Group that found this and other interesting statistics concerning consumer attitudes toward digital music, streaming services, and buying habits.
If free culture is going to be so great, why are bullies in charge of it?Â â€” John Degen looks at the far-too-common backlash that creators and creator advocates get from free culture advocates when they say something provocative like people should get paid for their work. Good article, but this comment from Degen, FTW: “it’s always been easy to NOT make a living at being a professional artist. The free culture movement is just making it easier.”
Found one! We re-unite an author with an “orphaned work”Â â€” On Monday, the Authors Guild and others filed suit against five universities and the HathiTrust for plans to release digital scans of “orphan works”, books that are still under copyright protection but where the rights-holder is unable to be found. In this blog post, the Authors Guild finds one of the authors on the list of orphan works the trust plans to release after a few minutes on Google.
Entrepreneurs Demonstrate It Is Time To Act On The Protect Ip ActÂ â€” The Copyright Alliance looks at last week’s letter from tech entrepreneurs against the proposed rogue sites legislation. “By rehashing generations old history and repeating myths and misstatements about the bill, the main thing the signatories have shown is that there is nothing new they can bring to the debate, and that it is time for Congress to act on the legislation.”
The Supreme Court of Canada Copyright Tariff PentalogyÂ â€” The Supreme Court of Canada, which historically has heard copyright cases relatively infrequently, is set to hear five cases December 6-7. James Gannon presents a summary of the cases, all involving judicial review of Copyright Board decisions on collective licensing.
With Great Power Comes No ResponsibilityÂ â€” Rob Levine questions Google’s apparent position that it has absolutely no responsibility when its services are used, exactly the way they were designed to be used, for illegal purposes. “On a literal level, the company abides by its public relations mantra, ‘Donâ€™t Be Evil.’ But thatâ€™s only because it prefers to outsource bad behavior in a way that enables it to make money and still abide by the letter of the law. ”
Backstage helps out on September 11thÂ â€” Last week, many US bloggers shared there thoughts on the 10th anniversary of the 9/11 attacks. Here, Eric Hart (my brother) looks at how NYC theater professionals and IATSE members pitched in to assist with rescue efforts and the aftermath.
Turntable comes clean about funding. Next up: label deals, more usersÂ â€” Some more updates on the much-buzzed new music service. I previously wrote about Turntable.fm and licensing; here, Peter Kafka reports that “Basically theyâ€™re gunning for a hybrid license which would have them paying more per stream than Pandora does, but less than a full-fledged, on-demand interactive service like Spotify ponies up.”
Tenenbaum: an alternative viewÂ â€” An older article, but with the Tenenbaum appeal currently awaiting decision and the Thomas-RassetÂ appeal to begin briefing in October, I thought it would be of interest. Both appeals concern what, if any, due process (Fifth Amendment) limitations are placed on a jury award of statutory damages. But here, attorneyÂ Emily Maruja Bass asks a different question: does the reductionÂ of the jury’s award violate the Seventh Amendment rights of the plaintiffs? With great analysis, Bass presents a persuasive argument that it might.