“The bill in Congress now, critics say, goes much too far â€¦ the Internet’s potential as a source of public education and free expression could be crippled … [it] could instead turn out to be the executioner of the Internet’s real promise.” 1Gary Chapman,Â Copyright Bill Would Infringe on the Internet’s Real Promise, Los Angeles Times (May 20, 1996).
The bill referred to above is not the House rogue sites legislation unveiled this week, but the DMCAÂ â€” the quote was written over 15 years ago. You could say today’s criticisms are simply “remixes” of the same criticisms heard every time new copyright legislation is proposed, but remixes involve at least someÂ originality.
In other newsÂ â€¦
Protect IP Act: Minorities Who Produce It, Should Get Paid For ItÂ â€” Dorrissa D. Griffin highlights a little-discussed aspect of copyright. Though content theft affects all creators, minorities are hit especially hard. Black artists, especially musicians, have historically struggled to be fairly compensated for their creative contributions. Griffin explains, “Fortunately, the recording industry has greatly reformed its practices, making it an exemplar of equal opportunity.Â However, this has not been the case in the online world, where todayâ€™s Internet pirates simply copy and use copyrighted material without permission or remorse.Â Minority artists are impactedÂ the mostÂ by this kind of theft because minority artists, writers and filmmakers often have little wealth (the wealth gap being as vast as it is) â€“Â exceptÂ for their intellectual property. And once that gets stolen, nothing is left.”
Priorities and Special Projects of the United States Copyright Office October 2011 â€“ October 2013 (PDF)Â â€” The US Copyright Office this week released its plan for the next 2 years, outlining 17 priorities and 10 special projects. Ambitious and commendable.
Backbeat: Robert Levine, David Carr Trade (Friendly) Barbs Over Levine’s New Book, ‘Free Ride’Â â€” Levine’s Free Ride: How Digital Parasites are Destroying the Culture Business, and How the Culture Business Can Fight Back hit the US stands this week. Billboard shares this interesting discussion between the author and NY Times columnist David Carr at a recent panel discussion.
The Role of the Record Producer and Why We Need PROTECT IP/Stop Online Piracy Act by Luke EbbinÂ â€” MusicTechPolicy provides this guest post from record producer Luke Ebbin. Ebbin notes that the “new” music business world is an exciting and promising one for both musicians and fans. But in order to ensure its promises, “a fair and equitable market-based solution needs to be developed and enforced to protect the rights of the owner of the master recordings.”
What is so special about music?Â â€” I’ve been following researcher Paul Lamere’s work on music recommendation over the past several years, finding it fascinating. Here, he talks about the things that separate music from other forms of media, making it difficult to apply the same techniques for recommending, say, books to recommending music.
Google’s Spreading Tentacles of InfluenceÂ â€” Businessweek reports on Google’s ramping up of traditional lobbyingÂ â€” the corporation hired its 16th lobbyist firm this week and has spent over $5 million on lobbying so far this yearÂ â€” as well as its “preferred way” of spreading money to public interest groups. Good article, though they missed an opportunity with the metaphor in the titleÂ â€” I would have used something that involves crawling rather than spreading.
|↑1||Gary Chapman,Â Copyright Bill Would Infringe on the Internet’s Real Promise, Los Angeles Times (May 20, 1996).|