Hit record â€” Salon.com Editor-in-chief Kerry Lauerman reports on lessons his company has learned. Aggregation, staff cuts, and emphasis on churning out content â€” doesn’t work. Focusing on originality, quality over quantity, and publishing less while spending more time on writing â€” does work. The site has grown its readership for the second year in a row under the latter approach.
How SOPA and PIPA did and didnâ€™t change how Washington lobbying worksÂ â€” A surprising take on the internet blackout from the Sunlight Foundation. 1I say surprising because the funders and board members of the Sunlight Foundation include many who were active in the opposition to SOPA and PROTECT IP. The post notes how tech lobbying has quickly eclipsed entertainment lobbying. It also notes the role the internet played in calling attention to the bills, asking in the end,Â “if the Googles, Facebooks, Twitters, and Wikipedias are becoming new guardians of political accountability, how accountable are they?”
In the music biz â€” Digital Music News has a couple of charts. The first shows a breakdown of Warner Music Group’s revenue sources from the last quarter of 2011. Physical formats still account for 51% of revenues. The second shows the distribution of digital revenues from online independent music store CDBaby. Over three quarters of these revenues comes from iTunes, while all streaming services bring in less than 10%.
The Sheepdogs Prove The Power Of Major Labels â€” Says the New Rockstar Philosophy, “As a close friend watching The Sheepdogs play for years, itâ€™s interesting to see how the world has latched on to them. Theyâ€™ve been doing the same music for a while, but only since the involvement of the Major Labels are The Sheepdogs starting to get larger recognition for their sound. To me this is a clear sign of the power of Major Labels. For all the talk of the end of an era, the Major Labels still have a lot of cash, expertise, and relationships that get doors open. Major Labels can get you seen and heard.”
Introducing Fountain â€” This one is for geeks/screenwriters. John August and Stu Maschwitz announce the Fountain markup language that enables script writing in any text editor using straightforward syntax. The result is a platform independent, future-proof file format ideal for collaboration and working anywhere.
Reining in the Rhetoric on Copyright Reform â€” Barry Sookman expands on his recent Financial Post article dealing with recent comparisons between Canada’s Bill C-11 and SOPA. “While recent attempts by the usual suspects making hysterical predictions about copyright reform in Canada have been ratcheted up yet again, this time the claims are so outrageous that they can perhaps best be described as having â€œjumped the sharkâ€.”
The Future for Television or Google Wants to Burn Your Remote: More Google Union-Busting â€” Then they came for the trade unionists… Chris Castle sheds light on Google and company’s efforts against entertainment industry unions like IATSE, AFTRA, DGA, and SAG.
What Wikipedia Won’t Tell You â€” Cary Sherman’s op-ed in the New York Times provided fodder for many online discussions this week (including this odd piece from the EFF that refers to the record industry as “Hollywood”). One of the most important points he raises: Google, Wikipedia, and other services used their platforms to argue against the bill. Television networks and other media outlets that supported the bill didn’t. Understanding why they didn’t is crucial to understanding the concerns over the tactics used by the internet platform giants.