My apologies to readers of this site this week. On Tuesday, my webhost began experiencing hardware issues that took Copyhype (and many other sites) offline. The site was up again by Wednesday, but since then, there have been lingering issues that have resulted in the site loading slow or timing out. Hopefully things will be back to normal soon!
Meet The New Boss, Worse Than The Old Boss? â€” David Lowery (Cracker, Camper van Beethoven) expands on a talk he gave at this winter’s SF Music Tech Summit. A fascinating and illuminating discussion; be sure to also check out part 2, part 3, part 4, and part 5.
Grooveshark: Trolling The Sea Of Artists To Make A Buck? â€” Jeff Price of Tunecore has some strong words about the music streaming site that brags about not being licensed. “Grooveshark is a fish rotting from the head down. The people running it are immoral and could care less about who and/or what they hurt as long as they make money.”
Canard du Jour: Do you still have your personality after Google makes a copy? â€” Copyright and privacy are more closely linked than appearance suggests. The trouble is that arguments advanced to weaken copyright can also be used to weaken privacy rights â€” and, as Chris Castle explains, that’s fine by Google.
The Nimble Empire: In Defense of Cable (via John August) â€” On why the evolution of cable will be amazing and what critics get wrong. “Really, what the pro-piracy arguments come down to â€” at least in the United States, where most content is pretty ready available (a few exceptions aside) â€” is ‘this is legally available, but not at a price I am willing to pay,’ and/or ‘this is legally available, but not for a time that I am willing to wait.’ Or rather â€” ‘I insist that you immediately provide your content at a price and on a device or devices of my choosing.’ This is a newly emerging and oddly curious expectation towards media.”
The film tax credit works, and Western Pennsylvania is a winner (via The Mentally InFirm)â€” The Pittsburgh Post-Gazette reports on the positive effect that film and television production has on the Pennsylvania economy and how PA’s film tax credit has helped spur that production. The Post-Gazette notes, “Since the program’s inception, nearly $242.5 million in state tax credits have been approved and/or awarded to film production companies, which has resulted in estimated total economic activity of $1.8 billion and the creation and sustaining of almost 14,500 jobs statewide.”
Other Ways to Think About the Copyright DebateÂ â€” At the Music Think Tank, Simon Tam asks, “Do we, as a society, value our artists and the arts as a whole? Do we appreciate them enough to support them so that the arts can continue to grow and that artistic expressions of ideas can be protected? Or do we believe that all artistic works should be free, no matter the cost, even if that cost includes the actual content creators themselves?”
The CCI and the Copyright Conspiracy â€” “What gets my attention is the rhetoric that consumers are owed better representation in the CCI than theyâ€™re currently receiving.Â Of course consumers should advocate and argue for their interests, but why would they be owed representation in a private coalition, regulating a privately operated network?Â Advocates like the Electronic Frontier Foundation argue that under-representation leads to the real problem of a lack of due process to consumers when the CCI cuts off their Internet access in the face of a copyright infringement allegation.Â If your ISP restricts or cuts off your Internet access, how has it violated your ‘due process?’Â How does it owe you â€œdue processâ€ in the first place?”
Q&A: Attorney Paul Smith of Jenner & Block Deciphers YouTube Appeal DecisionÂ â€” Paul Smith, the attorney from Jenner & Block who represented Viacom inÂ its appeal against YouTube, discusses last week’s decision by the Second Circuit.
The 3 Types of Copyright Conversations â€” Jonathan Bailey labels these the ethical, legal, and practical arguments, and notes how quickly and easily they become conflated. “Copyright, piracy, Web freedom, privacy, etc. are all emotionally-charged topics but they are also absolutely critical to the future of the Web and our culture as a whole. Itâ€™s worth taking the time to get these conversations right.”
Art and Democracy: The NEA, Kickstarter, and Creativity in America â€” A fascinating comparison of arts funding by the National Endowment of the Arts and Kickstarter. “Right now, itâ€™s not clear that Kickstarter is doing much more than offering a streamlined process for donations that would probably have happened anyway.”