These Journalists Spent Two Years and $750,000 Covering One Story â€” Writes Peter Osnos of the Atlantic, “It costs a lot, but investigative reporting can save lives. And non-profits lead the way in producing high-quality, in-depth stories. So who’s going to pay for them?” Maybe they can sell t-shirts?
Breaking Up With â€˜Breaking Badâ€™ Is Hard for Albuquerque â€” A highlight of the contributions that film and television production have on local economies. “During the showâ€™s run, the production directly employed an average of 200 people, said Wayne Rauschenberger, chief operating officer atÂ Albuquerque Studios, the 28-acre facility where much of the show was filmed. Beyond that, there were lumber yards, antique stores, limousine companies, hotels, caterers and others performing ancillary functions. Residents were hired as extras, and homeowners and businesses were paid for filming privileges.”
A Conversation with Dr. David Price Part 1Â â€” David Newhoff chats with Price, author of the recent NetNames report Sizing the Piracy Universe. The result is an in-depth and engaging discussion. Continued in Part 2.
New York Times: “David Lowery Represents the Anger of Musicians In the Internet Age…” â€” “Because the tech industry still hasn’t innovated a way toÂ shut up David Lowery.” Digital Music New’s intro to this New York Times article.
An interesting duo from the Trichordist, whose titles speak for themselves: Record Labels Invest $4.5 Billion Annually in Artists… Pirates, $0… Any Questions? and Grand Theft Auto V: How Profits Soar when Piracy is Managed.
Why Ad Blocking can Hurt Ad Blockers â€” Jonathan Bailey writes, “The end result though is that ad blocking doesnâ€™t push the Internet toward a future free of advertising, rather, it pushes us toward a future of ads tougher to separate from the content and harder to remove.Â Weâ€™re likely nudging toward this future regardless of ad blocking, but ad blocking is certainly a factor and could become a much bigger one. The only way to ensure better business models and a better future for content is to support the content creators that you feel are finding the right chords.”