By , August 01, 2014.

Aereo files emergancy motion on remand arguing it’s a cable provider entitled to Section 111 compulsory license — via Shades of Gray‘s Naomi Gray comes the just-filed memorandum of law from Aereo in support of its argument that, despite two years strenuously claiming otherwise, it is, actually, a cable provider. But only under the Copyright Act, where it can get the benefit of a below market rate compulsory license for transmitting copyrighted works, not under FCC regulations, which would subject it to retransmission consent and a host of other obligations.

Space Creators: Building the Guardians of the Galaxy — The Credits takes a closer look at some of the craftspeople involved in producing the big-screen version of Guardians of the Galaxy, opening in theaters today.

Copyright.gov — Did you see the redesigned web site for the US Copyright Office yet? Looks pretty sharp!

Ultra Records Responds to Michelle Phan & Kaskade Copyright Controversy — “When a music artist or songwriter signs to Ultra, it is our responsibility to protect what they have created. Enforcing copyrights is fundamental to the survival of artists, writers and producers, and to Ultra’s ability to continue to invest in and support them, so that they can continue to bring great music to music fans around the world. Whatever Ultra collects enforcing these important rights is shared with its artists according to their agreements.”

Should there be a system for resolving small copyright claims? — A look at last week’s House Judiciary IP Subcommittee’s hearings on copyright remedies and the question of whether Congress should create an expedited process for resolving copyright disputes involving low dollar amounts. Last year, the US Copyright Office released a report recommending just that.

We’re All Waiting, BitTorrent — “Funny how some technology companies like BitTorrent are always extolling the unlimited power of technology – except when it can be used to help creators by preventing the unauthorized distribution of their creative content.”