Tillis Releases Text of Bipartisan Legislation to Fight Illegal Streaming by Criminal Organizations â€” “The Protecting Lawful Streaming Act would apply only to commercial, for-profit streaming piracy services. The law will not sweep in normal practices by online service providers, good faith business disputes, noncommercial activities, or in any way impact individuals who access pirated streams or unwittingly stream unauthorized copies of copyrighted works. Individuals who might use pirate streaming services will not be affected.”
Franceâ€™s Hadopi counts cost of piracy: 12m users, â‚¬1bn loss of earnings â€” “The Hadopiâ€™s study, the first to attempt to calculate the economic consequences of content piracy and illicit retransmission of sports events in the round, comes as proposals for a new audiovisual law designed to tackle the problem are being discussed. The Hadopi found that while peer-to-peer piracy â€“ the original focus of the Hadopi when it was set up â€“ had declined significantly, illegal streaming and direct download of content had risen and new forms of illegal consumption such as illicit IPTV and live streaming services had also blossomed.”
TikTokkers are writing Ratatouille, the musical. But who owns the copyright? â€” The phenomenon raises potentially complex and interesting questions about authorship, ownership, and infringement.
The MLC Presents: How Self-Administered Songwriters Can Connect to Collect â€” The Mechanical Licensing Collective recently hosted a webinar detailing what the Music Modernization Act means for songwriters who administer their own publishing and what they need to do to make sure they get the royalties their music generates when the new blanket mechanical license takes effect in less than a month.