â€˜The Police Didnâ€™t Know What Was Going to Happenâ€™: 5 Photographers on What It Was Like to Document the Storming of the US Capitol â€” “[T]he uprising marked the first time since the British invaded during the War of 1812 that Washington was so overrun. The scene was documented by a fearless press corps that braved tear gas, pepper spray, and attacks to record the dayâ€™s events, which so far have left five dead. We spoke to five photographers about their experiences capturing this dark moment in US history.”
U.S. Copyright Office Releases Updated Version of the Compendium of U.S. Copyright Office Practices, Third Edition on January 28, 2021 â€” The update of the comprehensive and invaluable guide includes changes made in light of the Supreme Court decisions in Georgia v. Public Resource and Fourth Estate along with discussion of regulatory changes made to registration practices. The Office this week also announced that updates to its website are coming later this month.
Claims Tribunal, Music Rates Headline 2021 Copyright Issues â€” Bloomberg Law‘s Kyle Jahner reviews what may be the most significant copyright issues expected in 2021. They include implementation of a U.S. copyright small claims court, a Supreme Court decision in Google v. Oracle, and draft legislation amending the Digital Millennium Copyright Act.
The Mechanical Licensing Collective Begins Full Operations as Envisioned by The Music Modernization Act of 2018 â€” In a little over two years after the MMA was enacted, the Mechanical Licensing Collective has begun administering the blanket license for mechanical reproductions by digital music services. Here, The MLC provides an overview of what that means, including tools and resources for songwriters and musicians to ensure they are collecting the royalties they are entitled to.
Ninth Circuit Clarifies Transformative Fair Use in Dr. Seuss v. ComicMix â€” CPIP’s Devlin Hartline analyzes last month’s decision from the Ninth Circuit finding that ComicMix’s unauthorized mashup of Seuss’s Oh the Places You’ll Go and the Star Trek universe was not a fair use.